A Quote by Phil Ramone

I gotta think that one that becomes a philosophy of work, which is "no excuses." — © Phil Ramone
I gotta think that one that becomes a philosophy of work, which is "no excuses."
I think you've gotta believe in yourself, I think you gotta put in a lot of work off the court to make sure you're ready.
For one thing, I think that there are questions which philosophers raise which, although science bears on them, are not typically the central focus of those who work in the sciences. At the same time, I don't have a view of philosophy which marks it out as different in kind from scientific work
I gotta defend, I gotta protect the rim, I gotta rebound, I gotta set good picks for the guys, finish on offense, and I think that is not going to change much.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
You gotta think positive, you know. Make the obstacles opportunities. Thats my philosophy.
Ain't nothing coming easily in this life. Sometimes you gotta work, you gotta grow and it gotta hurt.
Unlike the interference of ordinary interest, power, or prejudice, which touches philosophy only at its outskirts and becomes at most a matter for philosophical tactics, the claim of revelation to the highest truth touches philosophy at its core and must affect its whole strategy.
Work on causal theories of knowledge - early work by Armstrong, and Dretske, and Goldman - seemed far more satisfying. As I started to see the ways in which work in the cognitive sciences could inform our understanding of central epistemological issues, my whole idea of what the philosophical enterprise is all about began to change. Quine certainly played a role here, as did Putnam's (pre-1975) work in philosophy of science, and the exciting developments that went on in that time in philosophy of mind.
Philosophy is the science of estimating values. The superiority of any state or substance over another is determined by philosophy. By assigning a position of primary importance to what remains when all that is secondary has been removed, philosophy thus becomes the true index of priority or emphasis in the realm of speculative thought.
Another Black Label motto. That's what I think life is. It's just another bridge to cross. You ask no questions. Whatever work it is you gotta do, you gotta go over it, under it, through it, around it, to do it.
I have presented principles of philosophy that are not, however, philosophical but strictly mathematical-that is, those on which the study of philosophy can be based. These principles are the laws and conditions of motions and of forces, which especially relate to philosophy.
I've gotta breathe it, I've gotta eat it, I've gotta sleep it and until you get there you will never be successful in life. But once you get there I guarantee you, the world is yours. So work hard, and you can have whatever it is that you want.
Through the greatness of the universe, which philosophy contemplates, the mind also is rendered great, and becomes capable of that union with the universe which constitutes its highest good.
There are areas of philosophy that are important, but I think of them as being subsumed by other fields. In the case of descriptive philosophy, you have literature or logic, which, in my view, is really mathematics.
Philosophy, for Plato, is a kind of vision, the 'vision of truth'...Everyone who has done any kind of creative work has experienced, in a greater or less degree, the state of mind in which, after long labour, truth or beauty appears, or seems to appear, in a sudden glory - it may only be about some small matter, or it may be about the universe. I think that most of the best creative work, in art, in science, in literature, and in philosophy, has been a result of just such a moment.
A great deal of the joy of life consists in doing perfectly, or at least to the best of one's ability, everything which one attempts to do. There is a sense of satisfaction, a pride in surveying such a work, a work which is rounded, full, exact, complete in all its parts-which the superficial man, who leaves his work in a slovenly, slipshod, half-finished condition can never know. It is this conscientious completeness which turns work into art. The smallest thing, well done, becomes artistic.
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