A Quote by Phil Rudd

No one's ever done what AC/DC did out of anywhere, really. Conquered the world, mate, that was the idea from the start. A little Napoleon in all of us. — © Phil Rudd
No one's ever done what AC/DC did out of anywhere, really. Conquered the world, mate, that was the idea from the start. A little Napoleon in all of us.
I am not saying I never hope of ever playing with AC/DC again but, then again, is it even AC/DC any more? No Bon's beautiful voice. No Malcolm. No Brian.
That's usually what happens with AC/DC: you make an album, and then you're on the road flat out. And the only time you ever get near a studio is generally after you've done a year of touring.
To me as a fan, as a die-hard AC/DC fan, Brian Johnson is the reason I discovered AC/DC.
I'd still stand in line all day to get into an AC/DC show, because that was the one show when I was younger that kind of changed my life. Because it was a little wrong. I think I was 14 or 15, first concert without the parents, you know, and they were all worried because we were going to an AC/DC show, and it was an amphitheater.
AC/DC is a prime example of taking that blues rock thing and just living in that world. They only really move the furniture around a little on each album, but it still works.
We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
I'm an out and out basic man and AC/DC are one of the best rock'n'roll bands in the world, doing things just to the basics, you know.
People always ask me what I did when things went wrong on stage with AC/DC. Nothing ever went wrong. I might drop a drum stick, maybe, but that was about the only thing.
AC/DC is like a... It's an institution, for a start. The fans feel a part of the family, and that's a good feeling.
For me I look at a group like Queen or AC/DC or the Beastie Boys. There was melody within what they did. There was a certain style with what they did. I think it is coming back.
Red House Painters were doing cover songs before our first record deal. I remember live shows where we did an AC/DC song; I think we did 'Send In The Clowns' by Judy Collins. We did 'The Star Spangled Banner,' which came out on our third record.
When I was done with the movie [Ordinary World], I felt really compelled to start working on another album. Little did I know, they were going to come out back to back.
AC/DC's 'Highway to Hell' is the greatest meshing of vocal, guitar, and content I've ever heard. That's what I aspire to.
Just heard who made who by ac/dc and asked a ry what movie? He had no idea. Disappointed. He will be doing my laundry today.
With AC/DC, if you've got a problem, you sort it out yourself.
A lot of people say, 'AC/DC - that's the band with the little guy who runs around in school shorts!'
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