A Quote by Philibert Joseph Roux

That which we know is but little; that which we have a presentiment of is immense; it is in this direction that the poet outruns the learned man. — © Philibert Joseph Roux
That which we know is but little; that which we have a presentiment of is immense; it is in this direction that the poet outruns the learned man.
I know of no department of natural science more likely to reward a man who goes into it thoroughly than anthropology. There is an immense deal to be done in the science pure and simple, and it is one of those branches of inquiry which brings one into contact with the great problems of humanity in every direction.
In spite of all these disquieting triumphs in the field of natural science, it's astonishing how little man has learned about himself, and how much there is to learn. How little we know about this brain which made social evolution possible, and of the mind. How little we know of the nature and spirit of man and God. We stand now before this inner frontier of ignorance. If we could pass it, we might well discover the meaning of life and understand man's destiny.
There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man's life to know them the little that each man gets from life is very costly and the only heritage he has to leave.
You are different from the really great man in only one thing: The great man, at one time, also was a very little man, but he developed one important ability: he learned to see where he was small in his thinking, and actions. Under the pressure of some task which was dear to him he learned better and better to sense the threat that comes from his smallness and pettiness. The great man, then, knows when and in what he is a little man.
The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
The job of the poet (a job which can't be learned) consists of placing those objects of the visible world which have become invisible due to the glue of habit, in an unusual position which strikes the soul and gives them a tragic force.
There is an old Latin quotation in regard to the poet which says 'Poeta nascitur non fit' the translation of which is- the poet is born, not made.
Gore Vidal was a man of immense literary talent, some of which he used well, some of which he wasted.
Living is the original art. As a young man I wanted to be a poet and I learned along the way that I already was a poet.
It is impossible for a Die, with such determined force and direction which makes it fall on such a determined side, only I don't know the force and direction which makes it fall on such a determin'd side, and therefore I call that Chance, which is nothing, but want of Art.
Doctors put drugs of which they know little into bodies of which they know less for diseases of which they know nothing at all.
Reading maketh a full man; and writing an axact man. And, therefore, if a man write little, he need have a present wit; and if he read little, he need have much cunning to seem to know which he doth not.
People think of time as a continuum composed of points which is stretched out at a line, and even if you add a direction to it and say one direction on the line is past and the other direction is future, or better, one direction is "earlier than" and the other direction is "later than", you're still thinking of it as like a geometrical line which is stretched out rather than as a dynamic process of becoming.
It just sort of suggested a very specific kind of impudence like this little-man syndrome. Chucky has this Napoleon complex. He's a little guy with a lot of rage and that really pointed us in the direction of exploiting that aspect of his character, which people always seem to enjoy.
This, therefore, is a law not found in books, but written on the fleshly tablets of the heart, which we have not learned from man, received or read, but which we have caught up from Nature herself, sucked in and imbibed; the knowledge of which we were not taught, but for which we were made; we received it not by education, but by intuition.
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