A Quote by Philip Bailey
For me, I listened to a lot of female jazz artists. And of course, the Motown and Philly sounds, all that stuff was very influential. And church and gospel.
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Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
I listened to classical music. I listened to jazz. I listened to everything. And I started becoming interested in the sounds of jazz. And I went to a concert of Jazz at the Philharmonic when we lived in Omaha, Nebraska, and I saw Charlie Parker play and Billie Holiday sing and Lester Young play, and that did it. I said, 'That's what I want to do.'
I do listen to more jazz and gospel than anything else, but my ears are still very much open and listening to stuff that comes out. And a lot of times my kids turn me on to stuff.
I grew up listening to a lot of classic jazz, and stuff like The Beatles, and old Motown stuff, and a lot of classical music. I just loved all of that.
I was born in Philadelphia, Pennsylvania, and am a product of a family that were jazz aficionados and also very interested in progressive politics. And so I had a lot of artists and musicians in my home. Lots of Latin music, folk, and jazz and blues, bluegrass-type of stuff. Painters and stuff like that.
Wherever you're from, you adapt to your environment. It definitely made my music a little bit more explicit. Because I really was in North Philly, I listened to State Property and stuff. Everything my dad listened to, I listened to.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
I listen to a lot of oldies stuff. Some Motown, Michael Jackson, jazz, etc.
I don't really listen to a lot of stuff that sounds real similar to me because I work on that kind of music all day. I end up listening to more jazz, stuff that I can't really play.
A lot of people at the highest level, I never listened to. It was hard for me to listen to a whole lot of stuff. It didn't get there for me. Al Green, who's maybe my favorite male singer - to me, Al Green sounds like a saxophone player.
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
I was really fortunate growing up to have a broad musical education. My parents listened to all kinds of music, rock, soul, Motown, jazz, Frank Sinatra, everything.
I grew up in a jazz household. They made me listen to jazz before I could hear my Motown.
I listened to a lot of Marvin Gaye and Motown records.
Not to name names, but a lot of pop female artists you see, they don't write their own songs. Lot of top male artists and boy band artists, they don't write their own songs. They're just a product. They sell, they sell, they sell. They don't care about musical integrity, any of that kind of stuff.
I was lucky enough to grow up in a house where we listened to all kinds of music. We listened to Haitian, hip hop, soul, classical jazz, gospel and Cuban music, to name a few. When you have access to that as a child, it just opens up your world.
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