A Quote by Philip Bailey

I think that there are some fantastic musicians out there - very, very talented musicians. — © Philip Bailey
I think that there are some fantastic musicians out there - very, very talented musicians.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
Yes, but the great thing about all the people - and I don't think there is any exception - who I've worked with is they've all been very, very talented musicians.
When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.
The availability of downloads is fantastic, but you don't know which musicians are playing on the songs anymore. It's kind of making musicians faceless, you don't get musical solos on records anymore. You know who the singer is but it's the poor old musicians who suffer.
I had gotten to know the music scene there, and just fell in love with it. I've lived there a little over four years now. There's a charm to Denton. The musicians in Denton are all very talented, but they're also all very accessible and very community-oriented.
My guys studied music from a young age and I did not so I think, like, adding the idiot to the table of very talented musicians gave us a unique rub.
I know a lot of actors who started out as musicians and have very successful careers as actors, but most people don't know them as musicians.
I think musicians are perfect at knowing how to get the best out of other musicians. I can really relate to that communion.
We always have a basic structure for a piece of music, but we encourage the musicians to elaborate on whatever they feel at that particular moment. There's a definite conversation happening on stage. I think it is very important for us as creative musicians, to instantaneously describe any energy that is visible at that time.
Musicians know all about unemployment. You're unemployed a lot, and I think there's a great deal of empathy between musicians and people who are out of work.
I believe in the spiritual warfare. There are people who pick sides. The lord of this world is Satan. You can do a deal with him to have all the pleasures of this world. You can go to youtube and search Illuminati, and you'll see stuff you wouldn't believe about very famous musicians and their musicians that are very clearly Satanic images.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
For better or for worse, I think my approach to jazz is very traditional, in one sense, but is [also] very out of fashion today. It's about the musicians, and it's about that magic that happens in the moment.
After the war, once the bop revolution had taken hold, there were all kinds of young musicians, talented young musicians, who were ready for this fusion of classical and jazz.
You know as I started as a shy young conductor, I always wanted to cooperate. To build up the musicians. To help them to be better than without a conductor. And sometimes young talented musicians have to be encouraged.
Something I've learned being in this industry for so long is that if you want to work with somebody, call them up. Very few musicians have any illusions about genre boundaries. They are useful descriptive terms, but they don't really bind musicians.
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