A Quote by Philip Bailey

My solo albums have given me confidence in myself and a broader understanding of what I had to offer. — © Philip Bailey
My solo albums have given me confidence in myself and a broader understanding of what I had to offer.
Working as a solo artist has given me a confidence that I didn't have with Blondie.
That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.
A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
Now, I'm a dad, I'm an adult. I've been solo for 25 years; I've been in other people's groups but I'm solo [in a broader sense]. I stopped comparing myself to other people's maps when I was maybe 24, really. The trajectory that I've gone on is not one that I can compare with anybody else.
I think everything happens for a reason and all of my choices have led me up to my solo album and made me stronger, not only as an artist but as a person. I want to do more the Black Eyed Peas albums and more of my own albums. I'm in this for the long run.
I made 'Desert Moon' and when I made those solo albums, I was trying not to be Styx, because I thought, 'That belongs to us.' So, I made different kinds of solo albums that were not dipping my hand back into the magic Styx jar and pulling out all the tricks - because bands, they have tricks, don't they? That's what makes them different.
I only do solo albums when songs are screaming at me to be let out of my mind.
When I was 23, I felt like I was further back than when I was 21. After two solo albums for this small indie label Just Music, they'd gotten no real profile. So I kind of turned away from the solo thing a bit.
I felt I had nothing more to say. Everything would have had to be a replay of the previous two or three albums, and that decided me to stop. What bothered me most was not playing guitar at all anymore. I felt I had no more contact with the instrument. It was just a piece of wood to me. I even thought music had definitely left me. After fourteen albums, there may be an overload phase, a sort of lassitude.
I remember one particular occasion when I hadn't played a solo for, quite literally, a couple of months. And I was asked to play a solo on a rock & roll thing. I played it and felt that what I'd done was absolute crap. I was so disgusted with myself that I made my mind up that I had to get out of it. It was messing me right up.
My whole life I've been the one to look myself in the mirror whenever everyone else is doubting me. I'm the one that had the most confidence in myself and I always betted on myself, and it's worked out for me each and every time.
I accept myself for who I am as a woman and a mother and this has given me the most confidence.
I know a lot of people like mixtape Fab, and albums, to me, you're speaking to a broader audience sometimes. I take that at hand.
My music has given me a confidence I wouldn't have had if I had gone a different route.
Yet, I wondered why Marshall did not at least attempt a kiss. In many ways, his treatment of me reminded me of the way I had behaved toward the doll that Mamma Mae had given me as a child. I favored it so that I had refused myself of the joy of playing with it, daring to love it only with my eyes. But in doing so, I had denied myself its very purpose.
I do consider myself an actress now. I think 'Dig' and 'Transparent' have given me the confidence.
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