A Quote by Philip Baker Hall
'Good Times' was with a live audience, three camera, and that was really intimidating. Because there were people on both sides, moving from set to set, and it was pretty scary. As I say, I didn't have a foundation in Hollywood. I hardly knew anybody. Just at the social level. I felt pretty isolated here, I really did.
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I think it started with both the shows and the box set from finishing White Material. I think we were also pretty desperate to get it released. We felt pretty proud of it, and it just escalated from there. We were thinking about playing some live shows, doing the soundtracks live. It was just trying to shine a little light on this 15 years of work we've done.
It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.
I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.
I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.
As a twelve-year-old girl, I thought that I was only pretty if the people on social media told me that I was pretty - and they weren't telling me I was pretty. So I didn't think I was pretty, and I was really down on myself, and I really was sad with myself. But social media doesn't give you validation or make you pretty. You make you pretty.
They are just really stupid people in Hollywood. You write them a script, and they say they love it, they absolutely love it. Then they say, 'But doesn't it need a small dog, and an Eskimo, and shouldn't it be set in New Guinea?' And you say, 'But it is a sophisticated romantic comedy set in Paris.'
I think that I probably break on set more than I make other people break. I've realized recently that, in my everyday social life, I'm a very easygoing person, but when it comes to work, I'm pretty type - A. I'm very focused and I take it maybe too seriously sometimes. So, when I'm on set, even when there are really funny people that I'm in the scenes with, I'm generally good at not breaking too often.
For years I thought I was just a writer, but when I sat down to design and started playing around with it, I realized that, really, it's pretty easy. Obviously it's more than just a set of rules, but the basics of design are actually pretty simple and quite mathematical. The link between data and design works at quite a fundamental level.
When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.
I'm telling you, the gorgeous of the world can actually look pretty intimidating when they scowl. Imagine a snow-white swan with a scary tattoo holding a chain saw. There's just no way to really prepare for that.
I have some pretty wonderful friendships, so that's been really good for me. In the past year, I've really worked on that. I think when I was married, I let my friendships go. I think people thought, "Oh, because she's married now, she's so happy all the time." But I really was just isolated in my house.
Pretty That's what I am, I guess. I mean, people have been telling me that's what I am since I was two. Maybe younger. Pretty as a picture. (Who wants to be a cliché?) Pretty as an angel. (Can you see them?) Pretty as a butterfly. (But isn't that really just a glam bug?) Cliché, invisible, or insectlike, I grew up knowing I was pretty and believing everything good about me had to do with how I looked. The mirror was my best friend. Until it started telling me I wasn't really pretty enough.
I'm just surrounded by awesome funny folks and really creative people. I'm learning, every day. There's not a day that I step on set that I don't have fun. It's a pretty good deal.
I don't want to be so analytical of my own life, because if I start to be analytical of my own life, maybe I'll choose not to believe anything that's going on. But, the fact of the matter is, I've experienced both sides of it now. Sides where you have a great time with people on set, and then you do just step away. And it's not malicious. It's just that people go back and live their lives and do whatever.
I'd have to say I'm pretty adventurous. I just went to Shanghai for the Special Olympics and I tried dim sum. I'd never really had it before and some of it looked pretty scary, but I tried it anyway. My philosophy is, you're not going to know if you like it until you try it.
I never really thought I went away because I've written all of the movies and I'm produced them all and certainly provided services about and beyond the average producer on two and three. I was on set most of the films and called action and cut a lot of times and did all that good stuff.
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