A Quote by Philip Berrigan

You have a responsibility to confront the war games - the American killing machine. — © Philip Berrigan
You have a responsibility to confront the war games - the American killing machine.
This killing of Israel athletes is an act of war. And if there's one place that war doesn't belong, it's here. 1200 years. From 776 B.C. to 393 A.D., your fellow Olympians laid down their arms to take part in these games. They understood there was more honor in out running a man than in killing him. I hope the competition will resume, and if it does, you must not think that running or throwing or jumping is frivelous. The games were once your fellow Olympians answer to war – competition, not conquest. Now, they must be your answer.
war is a man's game ... the killing machine has a gender and it is male.
The darkest days in my life after the war, after the war, was when I discovered that the ... most of the members and commanders of the Einsatz group that were doing the killings, not even in gas chambers, but killing with machine guns, had college degrees from German universities and PhD's and MD's. Couldn't believe it.
War is now a form of TV entertainment, and what made the First World War so particularly entertaining were two American inventions, barbed wire and the machine gun.
Meryl Streep is an acting machine in the same sense that a shark is a killing machine.
War is not violence and killing, pure and simple; war is controlled violence, for a purpose. The purpose of war is to support your government's decisions by force. The purpose is never to kill the enemy just to be killing him but to make him do what you want him to do. Not killing... but controlled and purposeful violence.
Killing a bunch of people in Sudan and Yemen and Pakistan, it's like, "Who cares - we don't know them." But the current discussion is framed as "When can the President kill an American citizen?" Now in my mind, killing a non-American citizen without due process is just as criminal as killing an American citizen without due process - but whatever gets us to the table to discuss this thing, we're going to take it.
In the middle of the last century there was a reason to go to war. This time around the war was a really bad idea and I think the only people that benefited from it were Halliburton and people that made money from it, but that's not an excuse to have a war. Killing American kids so Halliburton can make money is not a righteous reason to go to war.
So if we announce we're going to have a no-fly zone, and others have said this. Hillary Clinton is also for it. It is a recipe for disaster. It's a recipe for World War III. We need to confront Russia from a position of strength, but we don't need to confront Russia from a point of recklessness that would lead to war.
The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
I have never been embedded with the American army or, you know, with the big war machine.
The intelligence community is so vast that more people have top secret clearance than live in Washington. The U.S. will spend more on the war in Afghanistan this year, adjusting for inflation, than we spent on the Revolutionary War, the War of 1812, the Mexican-American War, the Civil War and the Spanish-American War combined.
You really have so little choice - so little to decide. You get put through the machine and it chops you up and spits you out. Your life, it's all mechanical, of the machine, until you have free will. You can't be accepted into the Work until you have matured -- freed yourself and take responsibility for your life, become accountable for your every action. It's not just from coming to a school. It's an active process - you have to take the responsibility for yourself. When you're trapped in the machine, it doesn't matter what you do.
Pet the cat dude," says Sam. "She brought you a present. She wants you to tell her how badass she is." "You are a tiny tiny killing machine." Daneca coos. "What's she doing?" I ask. "Purring!" says Daneca. She sounds delighted. "Good kitty. Who's an amazing killing machine? That's right. You are! You are a brutal brutal tiny lion! Yes, you are.
Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
'American Idol' is a machine. It's a machine that's making a lot of money, that's selling a lot of product. It's 'American Marketing.'
This site uses cookies to ensure you get the best experience. More info...
Got it!