A Quote by Philip Caldwell

Why kick the man downstream who can't put the parts together because the parts really weren't designed properly? — © Philip Caldwell
Why kick the man downstream who can't put the parts together because the parts really weren't designed properly?
May I say, if you were suddenly put into a woman's body, wouldn't you be slightly interested in your breasts, and why people look at certain parts of you, and why certain parts move like they do?
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
We all have them, those parts of us that are the greatest parts of us and the worst parts of us. Sometimes we're put in circumstances and bad choices are made.
I think there are two sides of the coin. On one hand, it can be challenging to access different parts of yourself, and you kind of have to put yourself back into reality when you're done with the job. But I think it's also really cool to have the ability to try on being different people and to explore some parts of yourself because you get to know yourself better. You get to know parts of yourself that you haven't met before. I think that's something that I've been learning more recently.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
When it comes to picking parts, I do make an effort to choose parts that I want to do, and not necessarily parts someone else wants me to do, or parts that someone else is going to respond to.
I had a niche. And my niche was that I was brown. So it's like, 'Great, I get to go up for all these 'brown parts.'' I call them 'brown parts' because that's what they are. That's not to be resentful, because I loved playing those parts - I got to meet so many cool actors.
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
I've found in my life that the parts that you're right for are the parts that you get. It's really usually quite easy because you're kind of right.
It required 85 parts by weight of oxygen and 15 parts of hydrogen to compose 100 parts of water.
I don't really do scales... I mean, I play parts of them, but then I bail and start playing parts of other things. The term 'scale' feels very scripted to me because I'm an improv player.
A campaign is a complex organism that requires expensive parts. Finding the right parts and meshing them together into a cohesive working unit is an art in and of itself.
Fit the parts together, one into the other, and build your figure like a carpenter builds a house. Everything must be constructed, composed of parts that make a whole.
I had a really regular progression--and this is really pleasant, I think--because I had small parts in TV movies, then bigger parts in TV movies, and then small parts in films. And I think this allows you to get...experience of the set and to get familiar with [the process]. And as I had a really slow progression, I think it really helped me to stay lucid and not get carried away.
There are not very many opportunities for little people in the industry. There are small parts and character parts, but we don't get the girl-at-the-end-of-the-film kind of parts... but I was quite happy with what I was doing.
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