A Quote by Philip Connors
I’ve always liked edges, places where one thing becomes another…… transition zones, boundaries and borderlands. I like the mixing that happens, the juxtapositions, the collisions and connections. I like the way they help me see the world from a fresh angle.
Related Quotes
Like every writer, I'm drawn by unlikely juxtapositions, precisely-dated and once-only collisions between people from different worlds.
It always struck Fire, the physical affection between these siblings, who as often as not were at each other's throats over one thing or another. She liked the way the four of them shifted and changed shape, bumping and clanging against one another, sharpening each other's edges and then smoothing them down again, and somehow always finding the way to fit together.
A mother and daughter are an edge.
Edges are ecotones, transitional zones,
places of danger or opportunity.
House-dwelling tension.
When I stand on the edge of the land and sea,
I feel this tension, this fluid line of transition.
High tide. Low tide.
It is the sea's reach and retreat
that reminds me
we have been human
for only a very short time.
I like Alexander McQueen's work a lot: he's always pushing boundaries, and he's rough around the edges.
Hosting 'SNL' was something I'd always wanted to do. The show allowed me to play to my strengths - mixing music with comedy seemed like a way into that world.
Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person.
He says you don't often find angels in places like happy homes and rich people's backyard parties. He says that angels flock to places like hospitals and homelss shelters and jails, because those people realize they need help. And do they are able to believe in strange phenomena. Funny how the world is backward. The really comfortable people don't always see much supernaturally, and to the ones who have to struggle, it's, like, breathing in their faces. The first are last... and the last are first.
I can't switch time zones any more. London is one of my favourite places, but I'm always so zonked that I can't appreciate it. It's like a six-inch sheet of glass between me and Charing Cross Road.
Usually when someone believes in a particular religion, his attitude becomes more and more a sharp angle pointing away from himself. In our way the point of the angle is always toward ourselves.
The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?
I was always willing to say, "Let's see what happens," when something came up that looked like it might help me get a little closer to where I wanted to be . . .
The stroke has given me another way to serve people. It lets me feel more deeply the pain of others; to help them know by example that ultimately, whatever happens, no harm can come. 'Death is perfectly safe,' I like to say.
You can polish and iterate and double down on what the magic was. You can make a much better thing. A much cleaner thing, a much more solid thing. And that's what 'Borderlands 2' is to 'Borderlands.'
I know the world doesn't need maybe another of [a particular type of song] - the same thing again - but you can't help yourself. And some people like it, but you kind of know in your heart that it's a lesser version of what you've done before. But maybe it has a good tempo, or it feels fresh, but it's still not.
When you think of a social network, you have these two-way interactions: "Are you my friend? Yes? No? Yes?" Like LinkedIn, it's business oriented, but it's all about establishing connections. You connect to me through my other connections, and that sort of thing, and you sort of define who your friends are. Twitter doesn't have that.
That's the one thing I don't like hearing, when someone says, 'We'll see what happens, see what happens here, see what happens there.' Forget all of that.
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