A Quote by Philip Freelon
I always say African American history is the quintessential American story. It's about perseverance and resilience - something everyone can relate to.
Quote Topics
Quote Author
Related Quotes
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.
I am African-American, and I am a proud African-American. I just don't like to put myself in a box and say, 'I'm an African-American actress.' I am an American actress, and I can do any kind of role.
As a historian of American and African-American religion, I know that the Trayvon Martin moment is just one moment in a history of racism in America that, in large part, has its underpinnings in Christianity and its history. Those of us who teach American Religion have a responsibility to tell all of the story, not just the nice touchy-feely parts.
I'm always talking about how representation is such an important thing - it's not just a request, it's a requirement - it needs to happen. So, to be a part of representation and to go down in the history books as the first African-American woman to win, and the second African-American to win the Royal Rumble is an honor.
I've got nothing against any individual American, except that there aren't any. They're always Irish-American, African-American... There's never an American-American you can blame.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
Getting into the banjo and discovering that it was an African-American instrument, it totally turned on its head my idea of American music - and then, through that, American history.
African American history is really American history because African Americans really helped build this country.
The acceptance of the facts of African-American history and the African-American historian as a legitimate part of the academic community did not come easily. Slavery ended and left its false images of black people intact.
I'm one of those persons who think that watching black people suffer is not an idea of entertainment. I know a lot about African American history, which is just American history, it's always been very fascinating to me. The premise of the play is remembering and honoring those persons whose stories would never be taken into account.
I came in the gate as an African-American poor kid wanting to be a neurosurgeon but - with American life and the places I was put due to American history and laws and the oppression of black people - I had to make it work in other ways.
When African-American police officers involved in a police action shooting involving an African-American, why would Hillary Clinton accuse that African-American police officer of implicit bias?
Because when I go places and I talk to kids and I talk to parents and I talk to athletes all over, and they look at my story and they see a person, African-American or not, they see something that they can relate to.
I've always thought of myself as an African-American comedian, African-American man, everything.
Related Authors
Arthur Erickson Quotes
Canadian
Architect
Frank Gehry Quotes
American
Architect
Frank Lloyd Wright Quotes
American
Architect
Ludwig Mies van der Rohe Quotes
American
Architect
Ma Yansong Quotes
Chinese
Architect
Maya Lin Quotes
American
Architect
Neri Oxman Quotes
American
Architect
Norton Juster Quotes
American
Architect
Philip Johnson Quotes
American
Architect
Rem Koolhaas Quotes
Dutch
Architect
Richard Rogers Quotes
British
Architect
Santiago Calatrava Quotes
Spanish
Architect
Tadao Ando Quotes
Japanese
Architect
Thom Mayne Quotes
American
Architect
Walter Gropius Quotes
German
Architect
Zaha Hadid Quotes
British
Architect