A Quote by Philip Glass
There's almost no content in terms of language at all. I don't like using language to convey meaning. I'd rather use images and music.
Related Quotes
I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.
The majority of the people of the world today are unsane, not insane, unsane meaning having been exposed to methods of evaluation that have long rendered obsolete, our language in the future will change to a saner language where we have no argument in it, 'can there be such a language?' there is, when engineers talk to each other, it's not subject to interpretation, they use math, they use descriptive systems, if I interpreted what another engineer said in the way I think he meant it: you couldn't build bridges, dams, power transmission lines. The language has to have meaning
Although music appeals simply to the emotions, and represents no definite images in itself, we are justified in using any language which may serve to convey to others our musical expressions. Words will often pave the way for the more subtle operations of music, and unlock the treasures which sound alone can rifle, and hence the eternal popularity of song.
I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.
For Berkeley (normal) vision is a language whereby God tells us about the tangible world. But prior to having experience of the tangible world, the visual language would be as meaningless as an utterly alien language. It would convey no meaning to the sighted mind.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
I don’t see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right-wing, and loyal to the political framework and it’s corporate interests.
I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.
Comics, in a sense, the style, the images - it's almost like music. They say music is a universal language, but when the eyes behold something, a figure, somebody moving; it's real, and it cannot be denied.
Over the years, I've trained myself to speak using the same language I would use if I were typing: meaning using full sentences in the way that paragraphs and scenes are arranged.
The language that we use now impacts on the ability to vote, it impacts on the marketplace; instead of making things clear, it makes it more confusing. I think we need to stop using neutral language and speak in straighter terms. So when you agree to something, you actually get what you agreed to in the first place.
Poetic language features an iconic rather than a predominantly conventional relationship of form and content in which all language (and cultural) elements, variant as well as invariant, may be involved in the expression of the content.", "Analysis of the Poetic Text.
There is language going on out there- the language of the wild. Roars, snorts, trumpets, squeals, whoops, and chirps all have meaning derived over eons of expression... We have yet to become fluent in the language -and music- of the wild.
My inspiration came especially in the 1950s through the Vienna Group founded by writer H.C. Artmann. It showed me that if you want to say something, you have to let the language itself say it, because language is usually more meaningful than the mere content that one wishes to convey.
We're trying to be very careful and precise in our use of language, because I think the language we use and the images we project really do have resonance. It's the reason why I don't use the term jihadist to refer to terrorists. It gives them the religious legitimacy they so desperately seek, but I ain't gonna give it to them.
I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.
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