A Quote by Philip Glenister

Acting is just a job at the end of the day, and its a very strange one. — © Philip Glenister
Acting is just a job at the end of the day, and its a very strange one.
I try to come to my reporting as a real, whole person, not an automaton. And it's always one of the strange discomforts of the job, that you're in this very intense moment in someone's life - you're engaging with them nonstop - and then suddenly your piece is out and that's done. It always reminds me that the journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.
Acting is a very strange job.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
Acting is a strange job because your control is very limited.
I consider acting a day job - it's not my dream; it's not my be-all, end-all.
The journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.
It's strange: I always try to do the best acting job I can do under the imaginary circumstances of my working position at any given time. But it's terrible when you know it's going bad, and you know it immediately. But you just have to still try to do the best job you can.
Acting is a really strange thing. You have to know when you're put in a bad situation, but you also have to be willing to do something very strange.
Acting is a really strange thing to do; it's very strange.
It's nice to have recognition for doing a good job, but at the end of the day, I'm just an actor and I'm doing my job and I'm always trying to get better at doing that job.
Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling, and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey. The actor's job is to divine and embody the truth, and find it.
What I love about this job is it's literally a different day every single day, isn't it? One day you're a nurse, the next day you're in a band - you can just make it up. I'm just a big kid, and that's really what this job is - just playing dress-up every day.
I still have the desire to do the job of acting. It's just a matter of whether I'll be allowed to do the job of acting that remains to be seen. There are only so many brick walls that I'm willing to beat my head on.
I'm just learning every day and I hope to continue that until the day I die. I'm just trying to learn and experience as much as I possibly can. I look at acting, at how I look at being involved in a job and living my life and prioritising.
Acting is a strange business; one day it's there, and the next day nowhere to be seen.
Writing is a very strenuous thing - it's like banging your head against a wall. At the end of the day, acting is better, just because nobody ever asked me if I wanted a Pellegrino in the writer's room.
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