A Quote by Philip Guston
Probably the most potent desire for a painter, an image-maker, is to see it. To see what the mind can think and imagine, to realize it for oneself, through oneself, as concretely as possible.
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I think through living one's life, one both changes and remains the same. One can see it either way, one can see oneself as being now what one was and one can see oneself as being absolutely different from what one was. It's a trick of thought.
Anxiety and desire are two, often conflicting, orientations to the unknown. Both are tilted toward the future. Desire implies a willingness, or a need, to engage this unknown, while anxiety suggests a fear of it. Desire takes one out of oneself, into the possibility or relationship, but it also takes one deeper into oneself. Anxiety turns one back on oneself, but only onto the self that is already known.
Studying the Buddha way is studying oneself. Studying oneself is forgetting oneself. Forgetting oneself is being enlightened by all things. Being enlightened by all things is to shed the body-mind of oneself, and those of others. No trace of enlightenment remains, and this traceless enlightenment continues endlessly.
Generally paintings are about technique, but I don't see myself as a painter. I am more of a storyteller and an image - maker.
Against the suffering which may come upon one from human relationships the readiest safeguard is voluntary isolation, keeping oneself aloof from other people. The happiness which can be achieved along this path is, as we see, the happiness of quietness. Against the dreaded external world one can only defend oneself by some kind of turning away from it, if one intends to solve the task by oneself.
In any triangle, who is the betrayer, who the unseen rival, and who the humiliated lover? Oneself, oneself, and no one but oneself!
To be oneself, simply oneself, is so amazing and utterly unique an experience that it's hard to convince oneself so singular a thing happens to everybody.
Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.
Fashion is what one wears oneself. What is unfashionable is what other people wear. Just as vulgarity is simply the conduct of other people. And falsehoods the truths of other people. Other people are quite dreadful. The only possible society is oneself. To love oneself is the beginning of a life-long romance.
To see color as form means looking at the image in a new way, trying to free oneself from absorption in subject matter.
To begin with oneself but not to end with onself. To start from oneself but not to aim at oneself.
I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's relationship to the history of art and the practice of art at arm's length, the ability to sort of clinically and coldly remove oneself from the picture and to see it simply as a set of rules, habits, systems, moving parts.
One's art is just one's effort to wed oneself to the universe, to unify oneself through union.
To be rich is to give; to give nothing is to be poor; to live is to love; to love nothing is to be dead; to be happy is to devote oneself; to exist only for oneself is to damn oneself, and to exile oneself to hell.
It is not only useless, it is harmful, to believe in oneself until one truly knows oneself. And to know oneself means to accept our moments of insanity, of eccentricity, of childishness and blindness.
I think, myself, that one's memories represent those moments which, insignificant as they may seem, nevertheless represent the inner self and oneself as most really oneself.
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