A Quote by Philip Hart

The Establishment is always against protest. — © Philip Hart
The Establishment is always against protest.
An artist, if he's unselfish and passionate, is always a living protest. Just to open his mouth is to protest: against conformism, against what is official, public, or national, what everyone else feels comfortable with, so the moment he opens his mouth, an artist is engaged, because opening his mouth is always scandalous.
Protest against Industrial Capitalism from one aspect or another is universal: so was the protest against the condition of European religion at the beginning of the sixteenth century.
And in England there has always been something deeply pro-Arab, of course, not among all Englishmen, and anti-Israeli, in the establishment. They abstained in the 1947 UN partition resolution... They maintained an arms embargo against us in the 1950s... They always worked against us. They think the Arabs are the underdogs.
Through protest - especially in the 1950s and '60s - we, as a people, touched greatness. Protest, not immigration, was our way into the American Dream. Freedom in this country had always been relative to race, and it was black protest that made freedom an absolute.
You have the establishment and then you have the hippies revolting against the establishment, and what you end up getting are like accountants with long hair. And that's kind of what happened with the youth movement in the '70s.
In the second and third exiles we have served as a living protest against greed and hate, against physical force, against "might makes right"!
After this urgent protest against entering into battle at Gettysburg according to instructions - which protest is the first and only one I ever made during my entire military career - I ordered my line to advance and make the assault.
That's a very hard thing to help the establishment know. We're still an establishment that thinks the average mentality is something like 13 years of age, that never forgot H.L. Mencken's notion that nobody lost money underestimating the intelligence of the American people. That's the horseshit the establishment has always lived with.
In Japan, it becomes a huge issue in terms of not just the government and its protest against the United States, but all different groups and all different peoples in Japan start to protest.
It is handsomer to remain in the establishment better than the establishment, and conduct that in the best manner, than to make asally against evil by some single improvement, without supporting it by a total regeneration.
Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
There was the pedestrian who wedged himself into the crowd, but there was also the flneur who demanded elbow room and was unwilling to forego the life of the gentleman of leisure. His leisurely appearance as a personality is his protest against the division of labour which makes people into specialists. it was also his protest against their industriousness. Around 1840 it was briefly fashionable to take turtles for a walk in the arcades. the flneurs liked to have the turtles set the pace for them.
Christianity [is] a rebellion against natural law, a protest against nature.
There is civil disobedience against the military machine, protest against police brutality directed especially at people of color.
Monastic life thus became a living protest against the secularization of Christianity, against the cheapening of grace.
Protest theater has a place again. It's not against whites or apartheid. It is against injustice and anything that fails our people.
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