A Quote by Philip J. Davis

Most writers on the subject seem to agree that the typical working mathematician is a Platonist on weekdays and a formalist on Sundays. — © Philip J. Davis
Most writers on the subject seem to agree that the typical working mathematician is a Platonist on weekdays and a formalist on Sundays.
Most Sundays, with the exception of football Sundays, I work, because I don't take days off as long as I'm working on something that's supposed to be all in the same mood.
Have your heart right with Christ, and he will visit you often, and so turn weekdays into Sundays, meals into sacraments, homes into temples, and earth into heaven.
The strange thing, though, is that most people who write novels these days seem to be aware of only a fraction of its possibilities. Kundera goes on and on about this, and I never tire of reading him on the subject, because I agree very deeply with it.
The computer was, to the best of my feelings about the subject, not thinking like a mathematician, and it was much more successful, because it was thinking not like a mathematician.
Well, in the general population, we find differences between the typical male and typical female. For example, males seem to be more interested in systems and females seem to be more interested in people and particularly people's emotions.
When the world is mad, a mathematician may find in mathematics an incomparable anodyne. For mathematics is, of all the arts and sciences, the most austere and the most remote, and a mathematician should be of all men the one who can most easily take refuge where, as Bertrand Russell says, "one at least of our nobler impulses can best escape from the dreary exile of the actual world."
Wit and humor seem to always factor into this - there's a tongue-in-cheek tone you get when you take on a formalist story - because there's an inherent voice you're trying to copy (and often to satirize).
How many Sundays - how many hundreds of Sundays like this - lay ahead of me? “Quiet, peaceful, and lonely,” I said aloud to myself. On Sundays, I didn't wind my spring.
I think you can fan the flames, but I think in the same way that a mathematician is a mathematician - He's not taught to be a mathematician. He either has a feeling for equations and an understanding and delight in it, not only in the purity of it, but in its beauty as well.
I believe - I know (there are not many things I should care to dogmatize about, on the subject of writing) that writers need solitude, and seek alienation of a kind every day of their working lives. (And remember, they are not even aware when and when not they are working.) ... The tension between standing apart and being fully involved; that is what makes a writer.
What’s strange is how many beginning writers seem to think that grammar is irrelevant, or that they are somehow above or beyond this subject more fit for a schoolchild than the future author of great literature.
I certainly have opportunities many can only dream of - but in most ways I'm a typical girl in her 20s trying to forge a career and represent herself in what can sometimes seem rather strange circumstances. One of the most attractive has been the chance to publish 'Celebrate.'
Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use -- high or low matters not. Literature cannot by this impulse betray the grandeur of its subject -- there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.
I had a standing arrangement with God: I'd agree to believe in him—barely—so long as he let me sleep in on Sundays.
... the atlas is a manifold. This is a typical mathematician's use of the word "is", and should not be confused with the normal use.
I certainly have opportunities many can only dream of - but in most ways Im a typical girl in her 20s trying to forge a career and represent herself in what can sometimes seem rather strange circumstances. One of the most attractive has been the chance to publish Celebrate.
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