A Quote by Philip James Bailey

Lips like rosebuds peeping out of snow. — © Philip James Bailey
Lips like rosebuds peeping out of snow.
In the bleak midwinter Frosty wind made moan, Earth stood hard as iron, Water like a stone; Snow had fallen, Snow on snow, Snow on snow, In the bleak midwinter, Long ago.
She's like snow in Russian," said Anna. "Snow in the evening when the sun sets and it looks like Alpengluhen, you know? And if snow had a scent it would smell like that [the rose].
Lips move; lips touch; lips signal. Lips are on the outside for show, and on the most secret inside of your mouth. Lips frame words that lie. Lips frame a hole that wants to be filled.
The truth is, there are probably eight more Snow White scripts floating around out there. And once one Snow White script got hot, other people started pulling out their Snow White scripts.
The truth is, there are probably eight more 'Snow White' scripts floating around out there. And once one 'Snow White' script got hot, other people started pulling out their 'Snow White' scripts.
Here today we huddle tight As the darkest heathens might The snow falls chilly on our skin The snow is forcing its way in. Hush, snow, come in with us to dwell: We were thrown out by Heaven as well.
I sit in the sky like a sphinx misunderstood; My heart of snow is wed to the whiteness of swans; I hate the movement that displaces the rigid lines, With lips untaught neither tears nor laughter do I know.
You know," he said, "I keep wanting to say that it's like Simon Snow threw up in here... but it's more like someone else ate Simon Snow—like somebody went to an all-you-care-to-eat Simon Snow buffet—and then threw up in here.
You know,' I whispered, 'some girls might think it's creepy having a boy watch them sleep.' He smirked and pointed to himself. 'Spy.' 'Oh.' I nodded. 'Right. So you're a trained Peeping Tom.' 'Product of the best peeping academies in the country.' 'Well, now I feel much better.' 'You should.
Skin white as snow, lips red as blood, and hair black as ebony.
The lyric abstrusities of Auden ring mystically down the circular canals of my ear and it begins to look like snow. The good gray conservative obliterating snow. Smoothing (in one white lacy euphemism after another) out all the black bleak angular unangelic nauseous ugliness of the blasted sterile world: dry buds, shrunken stone houses, dead vertical moving people all all all go under the great white beguiling wave. And come out transformed. Lose yourself in a numb dumb snow-daubed lattice of crystal and come out pure with the white virginal veneer you never had.
I've always felt like I was observing everything, like I'm just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
Between lips and lips there are cities of great ash and moist summit, drops of when and how, vague comings and goings: between lips and lips as along a shore of sand and glass the wind passes.
When the ground was partially bare of snow, and a few warm days had dried its surface somewhat, it was pleasant to compare the first tender signs of the infant year just peeping forth with the stately beauty of the withered vegetation which had withstood the winterdecent weeds, at least, which widowed Nature wears.
Lips are kind of like my thing, and I've always been obsessed with lipstick and lip liner. I just always went to lip liner to overline my lips, and I feel like I was really known for that. I can't walk out of my house without my lipstick!
And her sweet red lips on these lips of mine Burned like the ruby fire set In the swinging lamp of a crimson shrine, Or the bleeding wounds of the pomegranate, Or the heart of the lotus drenched and wet With the spilt-out blood of the rose-red wine.
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