A Quote by Philip Johnson

In my own work, I'd say I'm a classicist, but I look everywhere for my solutions. I don't study the toilet-living habits of my clients, although that's a popular approach. First, I think of every building in history that has been similar in purpose. Then I think of the functional program - that's a major part of the study.
I think it's always important for academics to study popular culture, even if the thing they are studying is idiotic. If it's successful or made a dent in culture, then it is worthy of study to find out why.
I have a philosophy that white people would be interested in Native Americans because, first of all, it's probably the only group as a country we all study and know the history and then never study again past the age of 10. So I think we have these things we believe are true, that are just not true about what an audience wants.
I went to Oberlin College, and they don't have a film major, but they do have what's called an individual major, where you can sort of pitch to a committee your own course study, and if they approve it, you have essentially just designed your own major. So Oberlin doesn't have a film major; they do have a film minor... And then my spring semester of my junior year, I went off to NYU film school as a visiting student - they have a program for kids from other schools to come in for a semester.
Hijras earn a living by egging, sex work, badhai or blessing. There are now transgenders in social work, the fashion industry, who have PhDs. I say, "Study, study, study." You need not wear a sari, and even our ancestors said you need not wear feminine attire to be part of the third gender. When I started bar dancing, nobody else was doing it. When I joined the social sector in 1999, there were no nonprofit organizations working for the rights of hijras in India. But I had to do it, I wanted my dignity.
All I do is listen to music. It's a weird thing. It's like I have so much catching up to do. I've always been over my head. That's just the way I work best, you know. Like when you're studying for school you think, "I can only study when I have to study the night before." That kind of means you're lazy or you're a procrastinator, but for me with music it's a similar thing. It's like I've been over my head for most of my career so to speak.
It was my interest in happiness that led me to the subject of habits, and of course, the study of habits is really the study of happiness. Habits are the invisible architecture of everyday life, and a significant element of happiness.
A problem with school is that you often become what you study. If you study, let say cooking, you become a chef. If you study law, you become an attorney, and a study of auto mechanics makes you mechanics. The mistake in becoming what you study is that, too many people forget to mind their own business. They spend their lives minding someone else's business and making that person rich
It is impossible to encircle the hips of a girl with my right arm and hold her smile in my left hand, then proceed to study the two items separately. Similarly, we can not separate life from living matter, in order to study only living matter and its reactions. Inevitably, studying living matter and its reactions, we study life itself
My dad wanted me to be a scientist and I was set to study science A-levels. But after the first term I realised it would be much more enjoyable to study English and history, which didn't seem like work - so I switched.
My advice would be to look at the things you do to make money as ways to inform your work in the end. If our work is to study the human condition, most humans that we are going to be playing aren't going to be artists, so go out and, as I did, learn what it's like to have a 9-to-5 job... Think of it as character study.
Study and know that we are always a student of the craft well after we've completed any course of study... and approach the work as a servant, not a star.
I have found in life that if you want a miracle you first need to do whatever it is you can do – if that’s to plant, then plant; if it is to read, then read; if it is to change, then change; if it is to study, then study; if it is to work, then work; whatever you have to do. And then you will be well on your way of doing the labor that works miracles.
There is no one way to salvation, whatever the manner in which a man may proceed. All forms and variations are governed by the eternal intelligence of the Universe that enables a man to approach perfection. It may be in the arts of music and painting or it may be in commerce, law, or medicine. It may be in the study of war or the study of peace. Each is as important as any other. Spiritual enlightenment through religious meditation such as Zen or in any other way is as viable and functional as any "Way."... A person should study as they see fit.
I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.
I have to throw in on a personal note that I didn't like history when I was in high school. I didn't study history when I was in college, none at all, and only started to do graduate study when my children were going to graduate school. What first intrigued me was this desire to understand my family and put it in the context of American history. That makes history so appealing and so central to what I am trying to do.
When you study history and look at every civilization that has grown up and died off, they all leave one remnant: a major sports colosseum at the heart of their capital. Our fate can be different; but only if we start doing things differently.
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