A Quote by Philip K. Dick
It really seems to me that in the midst of great tragedy, there is always the horrible possibility that something terribly funny will happen.
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There is something irresistibly funny about a funeral. More basically, I think the point is that beyond the deepest tragedy, there is laughter. Even in the midst of tragedy, there is always the possibility for it.
Beyond the deepest tragedy there is laughter; even in the midst of tragedy there is always the possibility for laughter.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
I really believe there is the possibility of something great that can happen in the right hands.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
There's a ritualistic element to tragedy that everyone shares; there's something curiously glorious in terms of the most horrible kind of events that happen.
Something horrible may have happened to you, but you always have a choice in how you respond to it. You have the "Why does bad stuff always happen to me? I'm never going to find happiness" option, and the "This sucks but I'm going to learn and evolve from it, examine what role I played in it, and ultimately it will help me become the person I'm supposed to be" option.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
Writing is such lonely work that I try to keep myself cheered up. If something strikes me as funny in the act of writing, I throw it in just to amuse myself. If I think it's funny I assume a few other people will find it funny, and that seems to me to be a good day's work.
It seems that most the world is driven by the eye, right? They design cities to look great but they always sound horrible ... They design telephones to look great, but they sound horrible. I think it was about time that the other senses were celebrated.
The lurking tragedy: The chances are that an accident will some day happen to you at a friend's dinner table ... As long as water and coffee and jelly exist, a certain percentage of each will necessarily be overturned upon a like number of snowy white tablecloths. Usually the tragedy is really no one's fault.
Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.
I thought my family was really funny. Everybody in my family was funny. My mom and dad both have great senses of humor and really saw the funny in stuff, so I think that's probably where it came from. I always try to see the funny in things.
I never meet anybody who actually likes the format, and it’s always a source of great concern to me when you’re charging a higher price for something that nobody seems to really say they have any great love for.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.
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