A Quote by Philip K. Dick
My major preoccupation is the question, 'What is reality ?' Many of my stories and novels deal with psychotic states or drug-induced states by which I can present the concept of a multiverse rather than a universe. Music and sociology are themes in my novels, also radical political trends; in particular I've written about fascism and my fear of it.
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Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
The novels were an escape from reality in the sense that we could marvel at their beauty and perfection. Curiously, the novels we escaped into led us finally to question and prod our own realities, about which we felt so helplessly speechless.
At Oxford University, I studied languages so I could read the great novels as they were originally written. I took what in the United States would be a double major in Russian and French, but I have to admit that the pressure of getting through so many books spoiled reading for me.
All human states are organic brain states - happiness, sadness, fear, lust, dreaming, doing math problems and writing novels - and our brains are not static.
All the themes of incipient fascism are present, to some degree, in our present-day political culture: the fear of the Other, the need for a (powerless) scapegoat, including the theme of expansionism.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
People who know and read comics know that there's a huge diversity amongst the types of stories. Nobody ever goes 'how many more of these movies based on novels are there going to be?!'. People laugh at that question and they go novels, there are all different types of novels. But there are all different types of comic books, they just happen to have drawings on the cover!
I was a sci-fi addict when I was a kid and a teenager. Novels, graphic novels, movies, it was my way to deal with reality.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.
I think that we're at an alarming moment in American political development and maybe in world political development, because the United States is so influential. If the trends of the last thirty or forty years are not halted and reversed - and those trends include increasingly inequality, a crumbling public life, a disintegrating public infrastructure, an exhausted ecology, and a huge war arsenal, and more and more war making - then I'm rather gloomy about the prospects for the American future and the harm that the United States could do to the world.
I prefer short stories, but publishers would, of course, rather that writers produce novels, since novels are still more commercially viable.
Writing is my number one passion. I've written two novels. I've written a screenplay. I also write short stories and poetry.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I find Chinese debates about their political system domestically, but also about China's claims in the international system, to be among the most original and surprising and exciting of our time. The starting point is a system that none of us had anticipated, which I call Leninist capitalism, but also obviously because it is the most important emerging power. The question of China's relations with the United States in particular, and the rest of the world in general, is the question of war and peace in the 21st century.
If novels and stories are bulletins from the progressive states of ignorance a writer passes through over the years, observations and opinions about horses are all the more so, since horses are more mysterious than life and harder to understand.
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