A Quote by Philip K. Dick

I'd like to see you move up to the goat class, where I think you belong. — © Philip K. Dick
I'd like to see you move up to the goat class, where I think you belong.
I'm not in show business because I don't have to go to the meetings, I'm just not a part of it, I don't belong to it. When you "belong" to something. You want to think about that word, "belong." People should think about that: it means they own you. If you belong to something it owns you, and I just don't care for that. I like spinning out here like one of those subatomic particles that they can't quite pin down.
The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.
A goat's a goat. Whether you sauté or barbeque it, it's still a goat.
I'd like to see technology to move beyond the hype and be considered part of infrastructure... the way you see access to water. I would like it to move away from apps and mobile money. So that everyone has their TV and their Wi-Fi, and it's just ubiquitous. I think that's where we should be headed.
I have always wanted to open up a brewery slash goat farm. Brew some beer, make some goat cheese, but that's kinda dreamy.
We all like to think of ourselves as a standard, and I can see that it is genuinely difficult for the English middle class to suppose that the working class is not desperately anxious to become just like itself. I am afraid this must be unlearned.
The experiments made on the mutual electrical relations of bodies have taught us that they can be divided into two classes: electropositive and electronegative. The simple bodies which belong to the first class, as well as their oxides, always take up positive electricity when they meet simple bodies or oxides belonging to the second class; and the oxides of the first class always behave with the oxides of the other like salifiable bases with acids.
I'll read a recipe but then decide, 'Well, it's sort of like this, then.' Or I'll go to the fridge and think, 'I'll see what I can put together,' and I'll combine beetroot and sausage and prawns with goat's cheese sprinkled on top and think, 'I like that they're all slightly pink. It looks fine and... actually, it is fine.'
The goat, for us, is an image that's stuck in our heads since we were kids, coming from Iowa people are like 'Beware the horned goat of satan!' and all that. It's bullshit. It's just an animal.
You can't patent a move. It's challenging enough to come up with a move that nobody else does... I try and do things that I would want to see done that I haven't seen other people do. Most wrestlers obviously don't think that way, and instead they steal somebody's move as soon as they've gone on to the next company.
Since I still think of myself as a middle class guy, people get to see that side of me in films like 'Middle Class Abbayi.'
They whipped us like a tied up goat.
The beauty of not growing up middle class is that you don't think like the middle class. You don't have anything to protect, you know what I mean?
You can't train a goat. You can't. You can't. So I don't recommend making a movie with a goat in a major role to anyone.
I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.
A breeze blows up, touching my cheek like a little child's kiss. It flutters a piece of paper. "Trash, out there? Must belong to one of us." We move closer, and when I reached for it, I find...... a perfect paper airplane.
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