A Quote by Philip K. Dick
I used to dig in the garden, and there isn't anything fantastic or ultradimensional about crab grass... unless you are a SF writer, in which case, pretty soon you're viewing crabgrass with suspicion. What are its real motives? And who sent it in the first place? The question I always found myself asking was, 'What is it, really?'
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The grass is always greener on the other side, unless Vince Russo has been there in which case the grass is most likely dead.
Unless a writer is extremely old when he dies, in which case he has probably become a neglected institution, his death must always be seen as untimely. This is because a real writer is always shifting and changing and searching. The world has many labels for him, of which the most treacherous is the label of Success.
As is the case with most people in this game, I am driven by financial motives and creative motives; the question I had to answer is which motive I will give priority to?
So I went out and bought myself a copy of the Writer and Artist Yearbook, bought lots of magazines and got on the phone and talked to editors about ideas for stories. Pretty soon I found myself hired to do interviews and articles and went off and did them.
It was one of those early mid-life crises, really. I started asking myself, 'What is it that I want from my life?' This question kept haunting me: 'Do I want to be a lawyer who always wanted to be a writer, or do I actually want to be a writer?
It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.
The Great British Dig' is a fantastic format which combines finding out about the history of where you live and the surprising things that lie under your own back garden. Its kind of a community archaeology project.
When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
We have really, really good-looking men who work for our network, and that's never brought into question. Our men dress very well, and look fantastic in a suit, and not once is that ever talked about. I can be called out on the Internet or in newspapers for asking a question, but if a male asked the same question, it would never be a topic.
I have found, after a good deal of consideration, that the best place to seek God is in a garden. You can dig for Him here.
As a boy I was a hermit crab, but I soon came out of my shell. Now I am a pincer crab, and soon I will be at my full power as a deadly nuclear lobster.
Anything can happen in SF. And the fact that nothing ever does happen in SF is only due to the poverty of our imaginations, we who write it or edit it or read it. But SF can in principle deal with anything.
[Noah Hawley] just a fantastic writer. It's always about the script, it's always about the book; it always is. If it ain't on the page, it ain't on the stage. That's what attracted me to him first and foremost.
I can't make a movie unless I believe in the themes behind it. I mean, that's the first question I ask myself, always, is, 'What is this movie about?'
I kept a lot of my thoughts inside myself. So, perhaps more than is normal, I'm always questioning my role as a writer. I'm always stopping and asking myself: Do I have the right to tell this story? Is it a story that deserves to be heard? And as for whether I think of myself as a Writer with a capital "W," I very much hope I never do.
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