A Quote by Philip Kerr
The mark of a writer is to make a story as likely as possible, and I've done my best to deliver authentic atmosphere.
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I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
For a short-story writer, a story is the combination of what the writer supposed the story would likely be about - plus what actually turned up in the course of writing.
To finish is sadness to a writer — a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
Do the best work you can do and try not to worry about the fact that you are a woman covering the NFL and you have never played the sport before. Just focus on the story and study, prepare and deliver the best report possible.
Short stories are designed to deliver their impact in as few pages as possible. A tremendous amount is left out, and a good short story writer learns to include only the most essential information.
you never know which thing you do is going to turn out to be important. I'm sure we've all done very small things that had very great impact and very big things that didn't make any difference. So, create the means that best reflect the ends we want. Try to make each moment authentic, and you'll get to an authentic end.
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
But the problem is that you cannot just admit to something you haven't done; you need to deliver the details, which you can't when you haven't done anything. It's not just, Yes, I did!' No, it doesn't work that way: you have to make up a complete story that makes sense to the dumbest dummies.
I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself if it is all right as a story. I mean, once you go saying to yourself, 'This is a pretty weak plot as it stands, but I'm such a hell of a writer that my magic touch will make it okay,' you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them.
When we're about telling the best possible story, making the best possible book - we're thinking about the reader, rather than about our egos. And then we serve the story. Not the other way 'round.
If you have a dream, to make it happen, all you have to do is start with one video and take it one video at a time. It may seem a little daunting to go from registering your YouTube channel to making it a full-time career, but if that is an aspiration for you, it's 100% doable if you're authentic, if you're persistent, if you put your best foot forward, if you come at it with realistic and authentic aspirations and intentions. If you try, then it's possible.
It's just my goal to deliver the best story I can, and I want to make sure each book is better than the last, and in order to do that, I have to take chances.
Lastly get emotionally connected to your story so you can deliver it, you know, if you can't deliver the emotions to your script there's no point to your story. Story is the key.
We can't live in a state of perpetual doubt, so we make up the best story possible and we live as if the story were true.
Entering into the spirit of this interior, you will discover the best possible atmosphere in which to show fine paintings or listen to music. It is this atmosphere that seems to me most lacking in our art galleries, museums, music halls and theaters.
We wanted to do it right. There is an expectation and WWE has a reputation to deliver the best show we possibly can when we perform in a new part of the world. We wanted to deliver Abu Dhabi with the best product we could. Also it's very difficult to make the travel work as we are constantly touring throughout the year.
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