A Quote by Philip Khuri Hitti

During all the first part of the Middle Ages, no other people made as important a contribution to human progress as did the Arabs, if we take this term to mean all those whose mother-tongue was Arabic, and not merely those living in the Arabian peninsula. For centuries, Arabic was the language of learning, culture and intellectual progress for the whole of the civilized world with the exception of the Far East. From the IXth to the XIIth century there were more philosophical, medical, historical, religiuos, astronomical and geographical works written in Arabic than in any other human tongue.
All the children in the world, when they go to school, have the right to study in their mother tongue. But we go to school and run into literary Arabic as children. It sounds like a foreign language. The words for "house" or "table" or "lamp" are not the same as the words we use at home, and most of the other words are alien to children at school. Classical Arabic is one of the prisons of the Arab world.
I couldn't know about my culture, my history, without learning the language, so I started learning Arabic - reading, writing. I used to speak Arabic before that, but Tunisian Arabic dialect. Step by step, I discovered calligraphy. I painted before and I just brought the calligraphy into my artwork. That's how everything started. The funny thing is the fact that going back to my roots made me feel French.
All the sciences came to exist in Arabic. The systematic works on them were written in Arabic writing.
We [ with Russel Crowe] had an Arabic coach there [ in the Body of Lies] that was really helpful, because it was more so than any accent. You have to be so exact, and there's different dialects of Arabic from country to country so it was really, really difficult to tell you the truth. And one of the hardest things I've ever had to do language-wise, because it comes from the throat. It's different. And also learning about the customs and the culture and all that, so we had advisors for that sort of thing.
The fact of simultaneously being Christian and having as my mother tongue Arabic, the holy language of Islam, is one of the basic paradoxes that have shaped my identity.
It sometimes happens to me while writing, that I seek a word; mischievous as it is it appears in English, it appears in Arabic, but refuses to come in Hebrew. To some extent I made up my Hebrew. Unquestionably, the influence of Arabic is dominant, my syntax is almost Arabic.
I was proud my father spoke Arabic fluently - his father sent him to learn Arabic from a sheikh - and we had Arab friends. His task of understanding the Arabs - not only politics but poetry - was very important; he took it as a vocation.
I grew up in Jerusalem and went to school here. I studied at the Hebrew University - mostly Islam and Arabic: Arab literature, Arab poetry and culture, because I felt like we are living in this region, in the Middle East, and we are not alone: There are nations here whose culture is Arab.
The Arabic states have to be integrated into the Iraqi reconstruction. We need the help of the Arabic community, which understands its culture. Americans arrive, invade, occupy.
I'm very proud that I can be myself. I'm not trying to be Arabic, I'm just being me, and I happen to be Arabic. I think that might be refreshing to some people, and it's a bit more realistic than these pantomime villains we've seen before.
I'm shy, but sometimes my voice is so clear and strong. Your tongue moves, and the Arabic language is so beautiful.
I was at Edinburgh doing history of art, Spanish and Arabic. I was originally supposed to do Italian instead of Arabic but when I went to see one of the lecturers they told me I should really do something more curveball. So I did.
There's a big difference between the Arabic and Western scales. One uses quarter tone system and one doesn't. So in order for me to compose real Arabic scale melodies, I would need an Arabic keyboard, and I don't have one. So I had to compose Arabesque melodies.
I had this desire to understand Islam better and then focus on the beauty of Arabic and Islamic cultures. And one of the first things to emerge was Arabic calligraphy, which was instantly inspiring.
There is an old Arabic proverb, 'When the king puts the poet on his payroll, he cuts off the tongue of the poet', so throughout the ages, people in power have liked to control music, they used to throw songwriters in jail throughout history, and were assassinated.
Modern Arabic literature achieved international recognition when Mahfouz was awarded the Nobel prize in 1988 (.....) Mahfouz also rendered Arabic literature a great service by developing, over the years, a form of language in which many of the archaisms and cliches that had become fashionable were discarded, a language that could serve as an adequate instrument for the writing of fiction in these times.
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