A Quote by Philip Kitcher

So my methodological approach is to draw on many different features in highlighting different facets of the novella (and the opera and the film). — © Philip Kitcher
So my methodological approach is to draw on many different features in highlighting different facets of the novella (and the opera and the film).
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
It's daunting, taking on the task of representing the gay community, because there are so many different facets and different schools of thought and behavior.
Like many features of a landscape, knowledge looks different from different angles.
As a well cut diamond has many facets, each reflecting a different color of light, so does the word yoga, each facet reflecting a different shade of meaning and revealing different aspects of the entire range of human endeavor to win inner peace and happiness.
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
I don't work on poems and essays at once. They walk on different legs, speak with different tongues, draw from different parts of the psyche. Their paces are also different.
And every match is different: you have different opponents, different situations, different conditions. So there's no one approach that's going to work all the time.
I can draw and paint in many different styles, and use different mediums to create work.
We've had so many lifetimes of different cultures and different religions and different points of view and different wars and different loves and different children.
Sometime during the 1990s, when I was teaching philosophy at UCSD, my friend, colleague, and music teacher, Carol Plantamura, discussed the possibility of teaching a course together looking at ways in which various literary works (plays, stories, novels) had been treated as operas, and how different themes emerged in the opera and in its original. One of the pairings we planned to use was Mann's great novella and Britten's opera. Unfortunately, the course was never taught, but the idea remained with me.
I love songwriting ! It's my Number One passion other than performing. Well, actually it's like wearing three different hats: songwriting, recording and performing. They're all completely different and draw on different types of skills. With recording, there are so many different phases of production, and you have to be very careful because you can polish it until it doesn't shine.
I believe there are many soul mates, because my soul has a lot of different facets and it needs a lot of different.
We're creating a different universe with different rules and a different tone and different villains. We were very careful to honor the iconography of Spider-Man, but we wanted to tell it in a new and different way [in the film].
The Jews started it all-and by 'it' I mean so many of the things we care about, the underlying values that make all of us, Jew and Gentile, believer and aethiest, tick. Without the Jews, we would see the world through different eyes, hear with different ears, even feel with different feelings ... we would think with a different mind, interpret all our experience differently, draw different conclusions from the things that befall us. And we would set a different course for our lives.
I've created a vocabulary of different styles. I draw from many different ways to take a picture. Sometimes I go back to reportage, to journalism.
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