A Quote by Philip Larkin
The chromatic scale is what you use to give the effect of drinking a quinine martini and having an enema simultaneously.
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Before Dream Theater took off I used to teach a lot, and one of the things my students often asked me was how to apply the chromatic scale to practical playing situations. You see, their other teachers would give them chromatic warm-up exercises without providing any explanation of how important and versatile this scale actually is.
Before you can apply chromatic ideas to scales and arpeggios, you have to get the chromatic scale itself under your fingers. You should learn it up and down the neck, and become comfortable with the fingerings.
I have either a cucumber martini, gin martini, or a vodka martini. That's it. Simple.
I'm not out there screaming that women are drinking bourbon, but I think it's a great beverage as an option. I've got nothing against drinking a Cosmo or Martini. It's not like one is judging the other. It's just delicious and slow and steady, and there's something about sipping a bourbon that to me is very relaxing.
Great businesses can be built on scale. I think Amazon has built a phenomenal commerce business largely on scale. Their network effect isn't obvious to me, but boy, have they used scale effectively.
A woman needs her privacy while drinking a dirty Belvedere martini on the rocks with a splash of Tabasco.
We have those new environments [during Kung Fu Panda 3] that give a scale to the movie, that are the spirit realm and the panda village. The spirit realm, having no gravity, having this massive space, allowed us to do huge action shots. All that we just couldn't do before. We just couldn't get the scale, we'd have to cheat them. This time we found ourselves more free.
You start way down on a low B flat on the tuba and you have a chromatic scale; you can match the colours all the way up, till you get to the top of the trumpet.
In a way, I see my fiction as having moved in that direction - and the characters as dealing simultaneously with their personal history and with the present in which they are trying to make their way. So that the books are simultaneously about public and interior events. And I am having a great time getting confused and crazed writing about them.
Zen martini: A martini with no vermouth at all. And no gin, either.
I really work hard to shape the song so that it's attractive... You don't want to give people the information in an enema.
Sometimes I imagine that there's a binary division going on in contemporary practice that has to do with chromatic versus diatonic. I notice that I tend to listen in a diatonic sense, that I register a pitch as a member of a diatonic scale, even in a non-tonal context.
How?" I demanded. "How could you have screwed this one up?" "When I got in, they said the manager was on the phone and would be a few minutes. So, I sat down and ordered a drink." This time, I did lean my forehead against the steering wheel. "What did you order?" "A martini." "A martini." I lifted my head. "You ordered a martini before a job interview." "It's a bar, Sage. I figured they'd be cool with it.
I discovered, though, that once having given a pig an enema there is no turning back, no chance of resuming one of life's more stereotyped roles.
I have a reputation for drinking a lot. Indeed, I drink quite much. However, I give it up when I wish to do so. I never, ever drink while on duty. The drinking is only for my pleasure. I do not remember neglecting my duties because of drinking even once.
You should be home sleeping. What is the use of having a man in the house, if he cannot take care of you for a while?” “Mmm,” I said. “I give up. What's the use of having a man in the house?
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