A Quote by Philip Pearlstein
I try to find a compositional structure in the subject itself, in nature... I rely on the angle where the wall meets the floor as a constant reference point, and against that I oppose the movements of the model's limbs.
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Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.
Every angle acknowledges that it is a likeness of true angularity, for [each angle] is angle not insofar as angle exists in itself but insofar as angle exists in something else, viz., in a surface. And so, true angularity is present in creatable and depictable angles as in a likeness of itself.
The truth... When they have a similar structure to and are organized in as truthful a way as nature. When I look out of the window, then truth for me is the way nature shows itself in its various tones, colours and proportions. That's a truth and has its own correctness. This little slice of nature, and in fact any given piece of nature, represents to me an ongoing challenge, and is a model for my paintings.
Nature is seen by humans through a screen of beliefs, knowledge, and purposes, and it is in terms of their images of nature, rather than of the actual structure of nature, that they act. Yet, it is upon nature itself that they do act, and it is nature itself that acts upon them, nurturing or destroying them.
From the point of view of logic, my report on 'Exclusion principle and quantum mechanics' has no conclusion. I believe that it will only be possible to write the conclusion if a theory will be established which will determine the value of the fine structure constant and will thus explain the atomistic structure of electricity, which is such an essential quality of all atomic sources of electric fields actually occurring in nature.
Business model innovation is constant in this economy. You start with a vision of a platform. For a while, you think there's a line of sight, and then it's gone. There's suddenly a new angle.
Revelation and the nature of truth must be viewed in reference to the structure of language.
The ancients, even though they believed in destiny , believed primarily in nature , in which they participated wholeheartedly. To rebel against nature amounted to rebelling against oneself. It was butting one's head against a wall.
But in fact, when you try to model that on a computer you find that because of the very structure of matter and of the chemical bonds that are the basis of every organism, evolution is not random at all. It will tend to follow certain paths.
The secret for an artist is to make that a subject and not bang your head against the wall and give up. But to turn it into and treat the new subject matter, which is one's own vanishing.
To speak of this subject you must... explain the nature of the resistance of the air, in the second the anatomy of the bird and its wings, in the third the method of working the wings in their various movements, in the fourth the power of the wings and the tail when the wings are not being moved and when the wind is favourable to serve as guide in various movements.
At Case Western Reserve University in Cleveland, I started taking psychology courses. I was interested in the nature of the human mind, the structure itself, pathologies with which it is afflicted. I really intended to be a writer all along, but I needed to take a subject that I could make a living at, either teaching it or doing it.
To be clear, I abhor the separation wall. It is an eyesore in itself and makes tangible the failed diplomacy and cruel short-sightedness that causes such misery in the region. No Palestinian can see that wall and not wonder if the Israelis mean it to stay there forever, a constant reminder of what they never intend to change.
Without a computer, every point on a structure has to be calculated with reference to everything else. But by using a PC, I can create complex curves that don't have radii or centers.
A novel, even a social realist one, can't simply be a comprehensive rendering of what is. A novel requires a special angle or approach, whether in structure or language or theme, to justify itself.
Don’t go searching for a subject, let your subject find you. You can’t rush inspiration. … Once your subject finds you, it’s like falling in love. It will be your constant companion. Shadowing you, peeping in your windows, calling you at all hours to leave messages like, Only you understand me.
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