A Quote by Philip Pearlstein
I decided that expressionism was a cheap way of getting a reaction - show anybody ripped apart, and you get sympathy. I was deliberately trying to show the human body as whole and relatively healthy.
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I stopped trying to show everybody I could play. I don't need to show anybody anything. Just go be myself, and if I do that, then I can really show how good of a player I can be.
A show isn't just a show, a show is entertainment; it's modeling, acting, singing and dancing all ripped into one, with the little time that we have to do it.
People say to me all the time, "I get my news from your show." And that isn't the way they should get their news. But the choice is not between getting their news the right way and getting their news from my show. The choice is that they won't get any at all unless you give it to them in an entertaining package.
In the early '80s, my sound - especially that mysterious kind of synthesized sound that was used so much - every relatively cheap TV show eventually had it because it's not expensive. It's just one guy doing the whole soundtrack. So it was overdone.
The great thing about the Internet is - our show is totally modular. Every piece can be popped in and out. They're relatively short pieces. They're not long. And we can say, "here' s one way to market it. Take these pieces out of the show and put them on the Internet." And we're doing dirtier cuts and put those on the Internet. It's a real great way to market the show. This is finally the year a show like this can happen.
When you're on a show that is so free with the body and nudity, you get a guest director every episode, and you want to make sure that they're not trying to one-up each other. It will take away the integrity of our show and the character if you're just gratuitously showing boobs.
The thing we get to do is bring music to people. I think that's the most important thing we can do. That's the way we show joy. That's the way we show love. That's way we show our gifts to so many.
I don't need to show anybody anything other than getting the guy out who is trying to make his money off of me.
The way we score is complicated. The rules are strict. The goal on the court is to show nothing, and then when you show something you are a bad person. Getting angry is not allowed. The show that you see on TV is not exciting, like the NFL or NBA, because you are seeing robots.
One thing we've learned about space is that the human body starts to fall apart after relatively short exposures to microgravity.
We deliberately chose a small theatre so that the show was still intimate and the audience would become a part of the show.
I can eat healthy when I want to, and I can work out every single day, and I can have the body for a certain runway show if I need to, but that doesn't mean that I'm doing it in an unhealthy way.
I was lucky to book a show pretty quickly after getting to L.A., but I struggled getting started in Vancouver. If I had gotten those earlier roles in Vancouver, I wouldn't have gone to L.A. to get the show that launched my career.
One thing with Montreal is it's so cold and everyone's so poor and beer's so cheap: if you go to a show you have to brave the weather to get there. So you show up and everyone's soaking wet - there's a sense of 'I trekked through three feet of snow to get here!' I think there's a kind of camaraderie that arises out of that, that's important to me as well.
Show me a healthy community with a healthy economy and I will show you a community that has its green infrastructure in order and understands the relationship between the built and the unbuilt environment.
I think because the show ["Grant MacLaren"] is essentially a hopeful show. The show says that as bleak as the future is, the one thing that mankind developed was the ability to send their consciousness back and where a lot of the institutions of modern life have fallen apart.
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