A Quote by Philip Pullman

For a long time I thought I was a poet, but that's a high title to claim. — © Philip Pullman
For a long time I thought I was a poet, but that's a high title to claim.
The claim that myth is always a narrative spin-off of ritual; the claim that myth is the projection of human anxieties onto a cosmological scrim; the claim that myths are invented to give sanction to human predilections and institutions... These are ways of trivializing a mode of thought that has served humanity well for a very long time.
Few in the Nineties would have ventured to prophesy that the remote dim singer of the Celtic Twilight would, in a new age, become the leading poet of the English-speaking world. None have disputed the claim of William Butler Yeats to that title.
The title's so upfront. It gives fair warning about the play's content. I'm writing about a kind of disenchantment, an anger, but quite a cool 90's anger, at a time when we're not very good at openly being angry. . . . I don't think I ever thought the title was titillating. I thought it was incredibly catchy. If the play is about the reduction in human relations down to a consumerist rationale, then thematically, the title is entirely linked into the thesis of the play.
I had the title poet, and maybe I was one for a while. Also, the title singer was kindly accorded me, even though I could barely carry a tune.
Back when we won the 170-pound title, I knew we were going to go back and get the 155-pound title but the 145-pound title wasn't even a thought in the mind. We would have had that title already if it was around.
No matter whether you claim a slave by purchase or capture, the title is bad. They who claim to own their fellow-men, look down into the pit and forget the justice that should rule the world.
I grew up in Alaska, okay? My dad graduated high school and went straight to the mountains. He had $300 and staked a claim. He didn't even have enough to put a title on the land: just had the records that he bought before he moved.
Whether it's the NXT title or the United States title or the Intercontinental title or the World title, if I have that title, then that's the most important one.
I have been called arrogant myself in my time, and hope to earn the title again, but to claim that I am privy to the secrets of the universe and its creator - that's beyond my conceit.
I grew up writing. It was very natural in my household. My father was a poet, and his mother had been a novelist back in Hungary. I don't think I really thought about it being my career until high school, which is still pretty early, but it was a while there of just assuming this was something everyone did all day long.
As long as it was George Groves in the opposite corner with his world title, the date was irrelevant to me. I was prepared to wait as long as it took to get that fight for the world title.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped serene, speeding, sustained, to come, don't spin it out too long long breath he breath long life, soaring high, high resplendent, aflame, crowned, high in the effulgence symbolistic, high, of the ethereal bosom, high, of the high vast irradiation everywhere all soaring all around about the all, the endlessnessnessness.
We don't claim to be infallible. I don't claim to be giving you truths from on high.
I had thought up the title, 'The Good Luck of Right Now,' several years ago. I had no idea what it meant or what the book would be about but I thought, 'Someday I'm going to write a book with that title.'
I actually started out as a poet in high school. I published in small literary magazines for probably about ten years. I entered the Yale Younger Poet contest every year, until I was too old to be a younger poet, and I never got more than a form rejection letter from them.
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