A Quote by Philip Roth
The horror of being caged has lost its thrill.
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The masses need something that will give them a thrill of horror.
New York rose out of the water like a great wave that found it impossible to return again and so remained there in horror, peering out of the million windows man had caged it with.
I don't like being pigeonholed at all. It stemmed from after 'Mandy Lane': I was being offered all these horror movies. I love horror movies, but when I dreamed of being a director, it was always doing all sorts of things.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
The caged bird sings with a fearful trill, of things unknown, but longed for still, and his tune is heard on the distant hill, for the caged bird sings of freedom.
There's no objective reason anyone can point to that proves a horror story is innately inferior or that it's doomed to fail as a work of art because of it being horror. Anyone saying otherwise is being intellectually dishonest.
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
Bernard Williams has been a distinctive presence on the intellectual scene for more than three decades. . . . His writings do not offer the dubious exhilaration of grand philosophical theory, in which messy reality is tamed and caged, but the thrill of seeing pretension punctured by a kind of high-voltage common sense (backed up by impressive erudition). . . . There is no one in philosophy quite like him.
It would be ugly to watch people poking sticks at a caged rat. It is uglier still to watch rats poking sticks at a caged person.
I was asked by the National Institute of Health to be their scientific discussant on the effects of these drug [Ritalin] at a big conference they held. Beforehand, I reviewed all of the important literature on the issue. Even with experiments on animals. When they're given these drugs they stop playing; they stop being curious; they stop socializing; they stop trying to escape. We make good caged animals with these drugs. And we make good caged kids by knocking their spontaneity out of them. And, Michael, the other thing is that these drugs enforce obsessive behavior.
I like a character that goes on a journey. A character that has had it all, lost it all, and is trying to get back to just being OK. I love the agony of defeat just as much as I love the thrill of victory.
I think readers appreciate those of us who stay in the trenches and fight the good fight even when times get tough. I know that I, personally, lost respect for writers who, when there was a downturn in the market, started shouting from the rooftops that they wrote thrillers and suspense novels rather than horror. As far as I'm concerned, those wussboys should sever all ties with the horror community if that's the way they feel and get out of the way so real horror writers can do their work.
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
I have managed not to finish certain books. With barely a twinge of conscience, I hurl down what bores me or doesn't give what I crave: ecstasy, transcendence, a thrill of mysterious connection. For, more than anything else, readers are thrill-seekers, though I don't read thrillers, not the kind sold under that label, anyway. They don't thrill; only language thrills.
When money is lost, a little is lost. When time is lost, much more is lost. When health is lost, practically everything is lost. And when creative spirit is lost, there is nothing left.
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