A Quote by Philip Roth

The terror of the unforeseen is what the science of history hides, turning a disaster into an epic. — © Philip Roth
The terror of the unforeseen is what the science of history hides, turning a disaster into an epic.
Turned the wrong way around, the relentless unforeseen was what we schoolchildren studied in "History", harmless history, where everything unexpected in its own time is chronicled on the page as inevitable. The terror of the unforeseen is what the science of history hides, turning a disaster into an epic.
Turning a zombie pandemic into a generic disaster movie robs the zombies of their dirty, nasty edginess and robs the disaster of its epic scope.
If I thought there was any hope of turning 'World War Z' into a movie, I wouldn't have written it as a giant, epic, global story, because that requires a giant, epic, global budget.
Whether you're a history buff or a fantasy fan, Druon's epic will keep you turning pages. This was the original game of thrones. If you like 'A Song of Ice and Fire', you will love 'The Accursed Kings'.
As you know, I describe Shirat ha-Yam as part of an epic story that has qualities of history and which also has qualities of the mythological, of an epic.
Culture hides more than it reveals, and strangely enough what it hides, it hides most effectively from its own participants.
Culture hides much more than it reveals, and strangely enough, what it hides, it hides most effectively from its own participants.
How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control. To calculate on the unforeseen is perhaps exactly the paradoxical operation that life most requires of us.
Cinemascope has become synonymous with 'epic,' and absolutely if you're shooting armies and certain kinds of vast landscapes, you do want that panoramic canvas to work on. But if you look at art history there's not a whole lot of epic paintings that are in that aspect ratio.
Science fiction is the most important literature in the history of the world, because it's the history of ideas, the history of our civilization birthing itself. ...Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.
When we have a disaster in Japan, I wonder, how can we prevent our lives and traditions and history from the disaster?
Unforeseen surprises are the rule in science, not the exception. Remember: Stuff happens.
We know only a single science, the science of history. History can be contemplated from two sides, it can be divided into the history of nature and the history of mankind. However, the two sides are not to be divided off; as long as men exist the history of nature and the history of men are mutually conditioned.
Science cuts two ways, of course; its products can be used for both good and evil. But there's no turning back from science. The early warnings about technological dangers also come from science.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
Sometimes you have to make a complete disaster of your life in such an epic way that it will be absolutely clear to you what you've been doing.
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