A Quote by Philip Roth
Just like those who are incurably ill, the aged know everything about their dying except exactly when.
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I know what every colored woman in this country is doing... Dying. Just like me. But the difference is they dying like a stump. Me, I’m going down like one of those redwoods. I sure did live in this world.
I'm slightly pessimistic about human nature, about how close it's possible to bond with those around you. Dying alone is a deep fear for most people. I'm not scared of death but I'm scared of dying scared. Maybe everything else in life comes from those two points: the separation anxiety of childhood and the ultimate fear of dying alone.
Love affair. Doesn't that sound so middle-aged? And also ill-fated. Like ill-fated is an understood prefix to love affair. Well, ill-fated is fine, as long as it's a meaty and fraught ill-fated love affair, not a pale and insipid one.
The hand of the painter is incurably mechanical: his technique is incurably artificial... The camera... is so utterly unmechanical.
I'm one of those performers who has done just about everything except juggle, and I'm working on that.
I just remember lot of men running around in little tiny gold shorts! The format - it was kind of hard. You really have to know about pop culture and I'm not really knowledgeable about a lot of those things. I know what I like. They'd ask about Gwyneth Paltrow, and I don't know anything about her, except her mother. I know who her mother is. So you really have to be current and relevant.
I know exactly what it's like to not have a penny. I know exactly what it's like trying to get a job. I know exactly what it's like having bloody one tin of Ambrosia left in the cupboard. But I know I can survive.
In medicine you go from dying to chronically ill. You don't go from dying to better than you ever knew you could be. That just doesn't happen.
To the audience, it's like I'm changing the subject every five seconds, but to me, my show's almost like a 90-minute song that I know exactly. I wrote every note, and I know exactly where everything is.
I've met Tony Danza. He was really nice. And he looks... I feel like he hasn't aged. He looks exactly the same. He's just Tony Danza. He's exactly the same as he's always been.
Gipsies, who every ill can cure,
Except the ill of being poor
Who charms 'gainst love and agues sell,
Who can in hen-roost set a spell,
Prepar'd by arts, to them best known
To catch all feet except their own,
Who, as to fortune, can unlock it,
As easily as pick a pocket.
The old believe everything, the middle-aged suspect everything, the young know everything.
It would be kind of ill to see Rachel McAdams win an Oscar [for Spotlight] - I don't think people give her credit for her range, she started in a kind of character with younger demographic-aged films and really made a push to be taken more seriously and got a lot of opportunities and knocked it out the park. But I feel like Jennifer Jason Leigh deserves one, maybe not just for Hateful Eight but for [Anomalisa] and everything. Like, I tried to watch Adaption again, that's rough!
I love research. When there's something that I like, I want to know everything about it. I want to know exactly what was behind it, and where it went from there.
People seem to know about May Day everywhere except where it began, here in the United States of America. That's because those in power have done everything they can to erase its real meaning.
I can negate everything of that part of me that lives on vague nostalgias, except this desire for unity, this longing to solve, this need for clarity and cohesion. I can refute everything in this world surrounding me that offends or enraptures me, except this chaos, this sovereign chance and this divine equivalence which springs from anarchy. I don't know whether this world has meaning that transcends it. But I know that I do not know that meaning and that it is impossible for me just now to know it. What can a meaning outside my condition mean to me? I can understand only in human terms.
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