A Quote by Philip Schultz

Art is a crime scene in a sense, a crucible, of the mind and heart and our dreams. — © Philip Schultz
Art is a crime scene in a sense, a crucible, of the mind and heart and our dreams.
We have two main instruments: the mind and the heart. The mind finds it difficult to be happy, precisely because the mind consciously enjoys the sense of separativity. It is always judging and doubting the reality in others. This is the human mind, the ordinary physical mind, the earth-bound mind. But we also have the aspiring heart, the loving heart. This loving heart is free from insecurity, for it has already established its oneness with the rest of the world.
I am fascinated by crime scene investigating. I swear, I wish I was a crime scene investigator sometimes!
Mind is nothing but dreams and dreams - dreams of the past, dreams of the future, dreams of how things should be, dreams of great ambitions, achievements. Dreams and desires, that is the stuff mind is made of. But it surrounds you like a China Wall. And because of it the fish remains unaware of the ocean.
On the rare occasions when our dreams succeed and achieve perfection - most dreams are bungled - the are symbolic chains of scene and images in place of a narrative poetic language; they circumscribe our experiences or expectations or situations with such poetic boldness and decisiveness that in the morning we are always amazed when we remember our dreams.
Everybody has a nightmare, and everybody apparently has falling dreams, and everybody has the drowning dream, and everybody has certain kinds of sexual manifestation dreams, as well as our stress dreams; I didn't study for the algebra test, I didn't study for my driving test, you know, all those dreams. I still have those dreams, and it's just such an interesting thing that our mind can turn against us, our own mind, you know we all have.
Texas mystique (has been) created by the chemistry of the frontier in the crucible of history and forged into an enduring state of heart and mind.
One thing that makes art different from life is that in art things have a shape... it allows us to fix our emotions on events at the moment they occur, it permits a union of heart and mind and tongue and tear.
And so while dreams are the individual man's play with reality, the sculptor's art is (in a broader sense) the play with dreams.
My mind wants to interpret All my dreams. My heart wants to love All my dreams. My soul wants to fulfil All my dreams.
The community does not fight crime well by chasing it; after-the-fact, crime has won and the target of violence is injured or worse. Crime is fought best not by chasing it, but by facing it before it can become a completed act. Crime is fought best at the scene of the violence.
A violent scene is art, as much as a sex scene is art. For me, all the scenes were a challenge.
When we experience moments of ecstasy-in play, in art, in sex-they come not as an exception, an accident, but as a taste of what life is meant to be. . . Ecstasy is an idea, a goal, but it can be the expectation of every day. Those times when we're grounded in our body, pure in our heart, clear in our mind, rooted in our soul, and suffused with the energy, the spirit of life, are our birthright. It's really not that hard to stop and luxuriate in the joy and wonder of being. Children do it all the time. It's a natural human gift that should be at the heart of our lives.
Dreams are self-created, but dreamers often do not understand the images that their own minds produce. Therein lays the essential paradox of dreams; dreams reveal that we all possess subconscious ability. Furthermore, our subconscious mind, as it is revealed through dreams, proves itself to be talented, artistic, insightful, perceptive and intelligent.
Our dreams drench us in sense, and sense steeps us again in dreams.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
I would love to spend all my time writing to you; I'd love to share with you all that goes through my mind, all that weighs on my heart, all that gives air to my soul; phantoms of art, dreams that would be so beautiful if they could come true.
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