A Quote by Philip Seymour Hoffman
The foibles of my body are pretty much out there in the work I do.
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You come into Congress, and in the orientation, pretty quickly, you're separated out by party. Which makes no sense, if you want to get a body that works as a body, that learns to be able to work as a body.
I work out a lot, but it changes day to day. I always start out with some cardio - either a jog, a bike ride, or footwork drills designed specifically for tennis movement. Then I do weights, but I switch the days: one day it's upper body, the next day it's lower body. Then I do stomach and back pretty much every day.
I'm pretty much a 9-to-5 kind of guy. I usually get to work about 8 in the morning, and I work until 4 or 5, and sometimes I work on Saturday and Sunday mornings. Pretty much I keep the same hours as an accountant or clerk or whatever.
As a producer, you're pretty much creating a body of work that an artist has to stand behind.
As a producer, youre pretty much creating a body of work that an artist has to stand behind.
I have never knowingly, I swear to God, written satire. The word connotes exaggeration of the foibles of mankind. To me, mankind just has foibles. You don't have to push it!
If I put the right fuel in my body, then my body will pretty much do what I ask it to.
To be able to float and move around and, pretty much effortlessly, do whatever you want with your body in space is pretty amazing.
Can I jump in your body and make out with my wife through you?” I fought a grin. “It doesn’t really work that way.” “Then can you just make out with my wife and pretend I’m in your body?” “No.” “I can pay. I have money.” “How much we talking?
I work very hard on my body, and I'm not just known for my six-pack or my body. I also believe that I have pretty good camera presence.
You don't have to have a great art idea - just get to work and something will happen. So that's pretty much my modus operandi and pretty much my principal position, such as it is.
The body should not just be something you see. It's also the inside of it. It's frightening and abstract and much more than pretty or not pretty. The shape of it is boring.
I like to work out. I work out hard when I get to it, but it's so sporadic, I'm not sure it counts at all! I eat pretty much anything, but I eat high-quality food. There was never a packet of chips or box of candy in my house when I was growing up. Ever.
Every injury is specific to what has happened, but the advice that I will give is that if you have a lower body injury, to work your upper body out. If you have an upper body injury, work your lower body out. Again, move what is not broken and you will definitely feel better.
If somebody asked for the first draft of something I'd written, it'd probably be pretty close to whatever got published. I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns.
The body becomes the carrier for the work. It's not really about the physical body; it really becomes the apparatus that carries and moves the work. I don't really consider the body as much; I look at it as a tool.
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