A Quote by Philipp Meyer

I'd grown up in a working class neighborhood in Baltimore, a place hard hit by the offshoring of numerous heavy industries - steel, textile, shipbuilding. — © Philipp Meyer
I'd grown up in a working class neighborhood in Baltimore, a place hard hit by the offshoring of numerous heavy industries - steel, textile, shipbuilding.
'Sons' was about working class white guys. And even though I didn't grow up in a motorcycle club, I grew up in a working-class, white-guy neighborhood.
I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.
Jack Geisinger. He passed, but we were friends up until the end. We took a dress design and apparel class, and I realized that I didn't like it, mostly because I couldn't sew very well. I then change over to textile design, where I could draw and paint. It was perfect for me. I got to the height of my career as a textile designer. I was working with people like Donna Karan, Jean Muir, and Scott Barrie.
I come from a pretty working-class neighborhood in Chicago. Hard work was just expected of you. It wasn't some noble thing you did; it was a prerequisite. It's what a man did. You get up, you put on your boots, and you work hard. We've lost a lot of that, I'm afraid.
It's hard for me to view Baltimore outside the context of what Baltimore has always been in my mind: a violent place.
Baltimore's often called the most northern Southern town. It has a distinct essence. It's definitely post-industrial, definitely Rust Belt, very working-class. I grew up outside of Washington, and I felt I was moving to a completely different place when I moved 30 miles north out of college.
I grew up in a working-class neighborhood, so there was always a sense of struggle, but we had hope.
Even when I was a model, I was like, 'How am I doing this?' I think it's partly that I've grown up in a normal place, living a very normal working-class life and this doesn't happen to people like me.
It's like the neighborhood I would have grown up in, I think, if I had have grown up here.
After the age of seven, I began living between my dad in Alaska and my mother in Baltimore. Every three or four months, I would fly the 5,000 miles between the two. And having grown up in Alaska, Baltimore was astonishing.
I grew up in a house with a mother who was a teacher and a Freedom Rider - very left-wing Democrats living in a heterogeneous working-class neighborhood. I picked up a lot of those values there, and I brought them with me when I showed up in Hollywood.
You don't pick up things, get to the top of multiple industries and sports without working hard.
When immigrants go into the worse neighborhood and they fix it up, they should become citizens. I think that your people, when you save a place. But the problem is, then you see immigrants saving cities in Baltimore and you see 40 Korean groceries get burned down.
I grew up in Boston in a very, very, very Marine town. So back in my neighborhood in Boston, a working-class neighborhood, when you got your draft notice, you went down, and you took your draft physical. And then, if you passed it, you joined the Marine Corps.
I don't miss much about my childhood. I lived in a good neighborhood, a wacky neighborhood. It was a very boy-heavy neighborhood - kind of Lord of the Flies-y. So many weird things happened, funny things.
I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.
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