A Quote by Philipp Meyer
Life throws up enough road blocks to keep you from writing; you can't be adding to them yourself by saying you can only write in one specific place. I'm in New York half the time and Texas half the time, and I work wherever - in my computer bag I have some foam ear plugs that I can put in.
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I grew up half the time in a small town called Mart, Texas, and half the time in L.A., because I was acting.
I grew up half the time in a small town called Mart, Texas, and half the time in L.A., because I was acting. My high school was crazy about football.
I used to sit home with my computer and write. After the Newbery, I probably spend more than half my time on the road.
New York is not a place that lets you be indifferent. New York is this kind of place that, wherever you go, wherever you move, you are always confronted by your own time.
One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.
I got about half the time I wanted to write poetry. I got about half the time I needed to be a father. So there is something in adulthood that has to do with accepting the half of things, allowing a renunciation of the other half, accepting half a basket instead of a full basket.
I hate being called lazy, so when everybody gets up at half seven in the morning, I'm up at the same time. Everyone goes to work and I'll do a few hours of writing, then I'll mess about for a bit and come back to it. By the time I go home I'm done. I think it's really good to keep that kind of a routine with writing. I find that when I don't do that, it's really hard to get back into that headspace of writing.
I don't go to an office, so I write at home. I like to write in the morning, if possible; that's when my mind is freshest. I might write for a couple of hours, and then I head out to have lunch and read the paper. Then I write for a little bit longer if I can, then probably go to the library or make some phone calls. Every day is a little bit different. I'm not highly routinized, so I spend a lot of time wandering around New York City with my laptop in my bag, wondering where I'm going to end up next. It's a fairly idyllic life for someone who likes writing.
I do have a personal life. I spend half of the week at home. One of those nights, I'll go out with some friends and have a good time. I have a day and a half at home, and love to just sit on my backyard by my pool, read a book, or do some writing. That's my vacation.
I thought it would be a good idea to look at New York with this half-European, half-native eye and really do something to get back at this city that I thought really gave me a hard time when I grew up.
I write for myself, and perhaps for half a dozen friends. And that should be enough. And that might improve the quality of my writing. But if I were writing for thousands of people, then I would write what might please them. And as I know nothing about them, and maybe I'd have a rather low opinion of them, I don't think that would do any good to my work.
Fungible goods in economics can be extended and traded. So, half as much grain is half as much useful, but half a baby or half a computer is less useful than a whole baby or a whole computer, and we've been trying to make computers that work that way.
When you have good friends you've been around, every time they talk, you don't give them your full attention. You don't look them in the eye and stop. Half the time, you're listening, half the time, you are ignoring them.
The world is a beautiful place to be born into if you don't mind some people dying all the time or maybe only starving some of the time which isn't half so bad if it isn't you.
Every man needs a blind eye and a deaf ear, so when people applaud, you'll only hear half of it, and when people salute, you'll only see part of it. Believe only half the praise and half the criticism.
I commend you, Postumus, for kissing me with only half your lip; you may, however, if you please, withhold even the half of this half. Are you inclined to grant me a boon still greater, and even inexpressible? Keep this whole half entirely to yourself, Postumus.
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