A Quote by Philippa Gregory

When they see us dance. When they see how you look at me. When they see how I smile at you. — © Philippa Gregory
When they see us dance. When they see how you look at me. When they see how I smile at you.
When you see the body outside of a costume and see the strength that it takes, people would look at dance a different way and see how athletic it is. You're not just born like that.
Try not to look sideways to see how others are viewing our lives but to look up to see how heavenly father sees us.
My wife's dying upstairs and I can't do anything about it. I look in her face and I see the memories there. I see how I hurt her and how I said the wrong things and how I got angry and how I wasn't the man she hoped I'd be. I see that in her face and I see she's going to die with that. You think I'm not preoccupied?
Sometimes we only see how people are different from us, but if you look hard enough, you can see how much we're all alike.
When I'm unable to see a mistake I made right away. Maybe this is my Taurus mentality, but sometimes I don't see it and I don't see it and then, before you know it, I finally see it, and I'm like, "How the hell did I not see that? It was right in front of me all this time." And I have to look at the wake I left behind, the disappointment. That makes me feel weak.
I can use movie as a language. Not only could it send a good message, I could let people know about my thinking and how I see the world, how I see the colour, how I see the music, how I see everything.
The 'how' has a great effect on what we see. To say that 'what we see' is more important than 'how we see it' is to think that 'how' has been settled and fixed. When you realize this is not the case, you realize that 'how' often affects 'what' we see.
I want to see what this baby's going to be into; how I can participate in his interests. You know, teach him things, see the manners that he will inhabit from both of us and see the first smile and what he's gonna say first. Hopefully 'dada' not 'mama.'
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I've often used the extremes in my work to comment on the mainstream. I think that sometimes a subject that I'm working on, like popular culture, is so present all around us that they're hard to see. It's like: How do you see the air you breathe? How do you see how it affects you?
When I look at the Gospel, I see how it is speaking to me at this time. I see how to be to others and it helps.
Now, it's so sacred. It's how I see the world. I can't help but look at people, their physicality, and how they move. It's how I see everything.
Things are because we see them, and what we see, and how we see it, depends on the Arts that influenced us. To look at a thing is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it comes into existence.
When I see those kids out there, how they play, how they train, how they look up to us, it makes me feel happy.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
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