A Quote by Philippa Gregory
Although some people think I am a romantic novelist I have always thought of myself as a rather gritty radical historian.
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I think of myself as Mirren rather than Mironova, absolutely. I am a Brit, really. I mean when I go to Russia and I do have, maybe it's a romantic fantasy. You know us actors, we're very good at romantic fantasies.
Yes, I think I use the term radical rather loosely, just for emphasis. If you describe yourself as atheist some people will say, Don't you mean agnostic? I have to reply that I really do mean atheist, I really do not believe that there is a god; in fact, I am convinced that there is not a god (a subtle difference). I see not a shred of evidence to suggest that there is one...etc., etc. It's easier to say that I am a radical atheist, just to signal that I really mean it, have thought about it a great deal and that it's an opinion I hold seriously.
A couple years ago, the novelist Russell Banks told me he was reading the ancient Greek historian Herodotus. I asked why. He said, 'Because I've always wanted to and am tired of having my reading assigned.' I thought it was a marvelous declaration of independence.
Although I am an anarch, I am not anti-authoritarian. Quite the opposite: I need authority, although I do not believe in it. My critical faculties are sharpened by the absence of the credibility that I ask for. As a historian, I know what can be offered.
Because You have called me here not to wear a label by which I can recognize myself and place myself in some kind of a category. You do not want me to be thinking about what I am, but about what You are. Or rather, You do not even want me to be thinking about anything much: for You would raise me above the level of thought. And if I am always trying to figure out what I am and where I am and why I am, how will that work be done?
A historian may be an artist too, and a novelist is a historian, the preserver, the keeper, the expounder, of human experience.
I only became a novelist because I thought I had missed my chance to become a historian.
I wouldn't dream of commenting on Hilary Mantel as a novelist, frankly I'd be grateful if she stayed off my patch as a historian. She is intelligent, she is bright, she is an admirable writer. I happen to find her Tudor novels unreadable, but that's because I am a Tudor historian.
I think of myself now as a writer, although I wouldn't go as far as to say 'novelist' because that sounds like a Victorian person.
I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
I am eternally, devastatingly romantic, and I thought people would see it because 'romantic' doesn't mean 'sugary.' It's dark and tormented — the furor of passion, the despair of an idealism that you can't attain.
The only excuse for a novelist, aside from the entertainment and vicarious living his books give the people who read them, is as a sort of second-class historian of the age he lives in. The "reality" he missed by writing about imaginary people, he gains by being able to build a reality more nearly out of his own factual experience than a plain historian or biographer can.
I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
I like to think of myself as an unmediated novelist - or perhaps a national novelist.
I am a critic who is pulled toward history. But Bob Dylan himself is a great historian. He is an historian who acts out history. So it always has a personal stamp. It always has a particular timbre. It always has a particular howl, or a moan, in that voice.
People believe I am what they see Me as, rather than what they do not see. But I am the Great Unseen, not what I cause Myself to be in any particular moment. In a sense, I am what I am not. It is from the Am-notness that I come, and to it I always return.
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