A Quote by Philippe Claudel
Most of all people respond to a film tackling grave subjects that question and go against the prevailing mood.
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I don't go out there and put on any sort of front for people. If I'm in a good mood, I appear in a good mood on TV, and if I'm in a bad mood, I just go out there and look like I'm in a bad mood.
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the nature of the material we're dealing with, there's usually a kind of a prevailing light attitude that's floating around.
In terms of tackling different subjects, I can't really think of anything I wouldn't want to try; that's the fun of it right? Each new style brings new challenges - not that you shouldn't focus on one and master it, but it takes so long to make a film, you just want to have some variety.
Player: Relax. Respond. That's what people do. You can't go through life question your sitution at every turn.
It's often said that I choose subjects that are sensational! I choose to film subjects that spark difficult conversations and make people uncomfortable. Change only comes about when people are forced to discuss an issue, and that's what I hope my films do.
Most people are not for or against anything; the first object of getting people together is to make them respond somehow, to overcome inertia.
The secret to all drama, film, TV, or books - the thing that people respond to most, and the thing I find myself as a viewer feeling most interested in, is the idea of change.
How we shall earn our bread is a grave question; yet it is a sweet and inviting question. Let us not shirk it, as is usually done.It is the most important and practical question which is put to man. Let us not answer it hastily. Let us not be content to get our bread in some gross, careless, and hasty manner. Some men go a-hunting, some a-fishing, some a-gaming, some to war; but none have so pleasant a time as they who in earnest seek to earn their bread.
But the people at home if we're doing a town meeting or a town format. You have to answer the question that is asked. And what people at home are gauging how does this candidate respond to the questioner? Do they show respect to the questioner? Do they try to understand why the questioner is asking that? Do they respond to the question? Is there a human connection between the two? It's where Barack Obama beat Mitt Romney in 2012. He lost the voters on who was a stronger leader, who had a vision for the future, but on who cares about people like me, he trounced Mitt Romney.
Most people go to their grave with their music inside them.
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
What Joe and I love about the film industry, it's like the wild West. We're two guys who grew up a million miles away from the film business; it doesn't matter where you come from or where you go to school. All that matters is, can you find a way to practice the craft and express yourself in a way that people respond to.
We need to respond to the mood of the people - that we must take the lives of the other side as well.
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
A mood of constructive criticism being upon me, I propose forthwith that the method of choosing legislators now prevailing in the United States be abandoned and that the method used in choosing juries be substituted. That is to say, I propose that the men who make our laws be chosen by chance and against will of all the rest of us, as now.
If you watch the evening news, Dr. Kissinger is very often brought on to sort of be the statesman of his age and to reflect dispassionately on world events. And so a film challenging his legacy, a film that assesses charges that are quite grave against him, is something that is touchy for the media to show.
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