A Quote by Philippe Claudel

I like speed in thrillers. It's a rhythm adapted to the subject. — © Philippe Claudel
I like speed in thrillers. It's a rhythm adapted to the subject.
I like to speed teams up. I don't like them to get in their rhythm.
I like thrillers. My style of movies are closer to thrillers.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
I like the way football is played in England: the speed, the style of play, the high rhythm.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
Speed is not part of the true Way of strategy. Speed implies that things seem fast or slow, according to whether or not they are in rhythm. Whatever the Way, the master of strategy does not appear fast.
Shakespeare has been adapted by Akira Kurosawa. 'Dangerous Liaisons' has been adapted into a Chinese movie. 'Blood Simple', the Coen brothers movie, was adapted by Zhang Yimou.
Action choreographer is like talking. When you talk, you have a rhythm. When you act, you have a rhythm. When you're moving your body, you have a rhythm. So as an actor, as a choreographer, the objective is trying to blend everything in - into - ultimately back into that character.
Everything is a subject. Every subject has a rhythm. To feel it is the raison detre. The photograph is a fixed moment of such a raison detre, which lives on in itself.
It's the comedies and thrillers that are successful. People love horror, but in thrillers. Once you speak of pain and suffering it's a different matter.
Among the best of Hitchcock's own psychological thrillers is 'Spellbound,' whose story unusually wrapped the subject of psychoanalysis around a murder mystery.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
The speed with which modern society has adapted to accommodate the world's vast spectrum of gender and sexual identities may be the most important cultural metamorphosis of our time.
Hockey is an art. It requires speed, precision, and strength like other sports, but it also demands an extraordinary intelligence to develop a logical sequence of movements, a technique which is smooth, graceful and in rhythm with the rest of the game.
One of the biggest advantages that start ups have is execution speed and you have to have this relentless operating rhythm.
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