A Quote by Philippe Claudel
I think about the sincerity of my writing. I try to be true, to pose questions. Shake people up a bit and make them look in a direction they wouldn't normally.
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I like stirring the pot - I think it's part of my duty, to shake people up a bit - make them look at things in a different way.
I look for interesting titles that are curious and make people think. A lot of people are always so caught up in their lives. But if I make them smile through my titles or provoke them a little bit then maybe they will think about things and read the book and take something away from it.
They try to make you think they care about what you do but they don't. They don't want you to act a certain way. So you're easy to understand. So you won't pose a threat to them.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.
If you look at the body of any writers' work, you can figure out the questions that animate them. I think that is what real writers do. They don't tell people how to live or what to think. They write in order to try to answer their own deepest questions.
All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
When we approach characters, we don't have their full story in mind right off the bat. Through the writing process we raise questions about them, and we start to learn a bit more about them.
Quite early on, and certainly since I started writing, I found that philosophical questions occupied me more than any other kind. I hadn't really thought of them as being philosophical questions, but one rapidly comes to an understanding that philosophy's only really about two questions: 'What is true?' and 'What is good?'
What I've found I really like about sci-fi is it can look at philosophical questions about humanity but in a different context. It can really make you think. That's what 'Doctor Who' does, even if it's a bit silly some other times.
You cannot win all the time and, often, we don't win that much. You have to have something and I think if we can create an environment where people genuinely think that we are trying to help them, trying to improve them and make them better, then OK, maybe they will try a bit harder, and do a bit better for the team and the club.
My investment of time, as an educator, in my judgment, is best served teaching people how to think about the world around them. Teach them how to pose a question. How to judge whether one thing is true versus another.
I just try to be true to myself and write about things I'm passionate about. I think what most people don't like about movies is they can tell that most movies are a product, and they don't mean that much to the people who make them.
For a selfie, it's not about the pose, it's about you. There's a reason why you look great in the picture or you look great in real life, because someone has caught the essence of who you are, and a pose is not you.
I don't really think about what's 'age appropriate' for my audience because I think they can handle quite a bit, but I do try to think about what's honest and true to my characters who have grown up in situations where they've been taught to handle these things very carefully and that they're very powerful.
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