A Quote by Philippe Cousteau, Jr.
If having a beautiful lawn means putting up warning signs several times a year to keep children and pets off of it, it's probably a good idea to look into alternatives.
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You'll remember Dr. Rice said that several times: It was not a warning about the place and the method and the time - it was a general warning. And that points out the imperfection, if you would, of our intelligence.
I know, you've been here a year, you think these people are normal. Well, they're not. WE'RE not. I look in the library, I call up books on my desk. Old ones, because they won't let us have anything new, but I've got a pretty good idea what children are, and we're not children. Children can lose sometimes, and nobody cares. Children aren't in armies, they aren't COMMANDERS, they don't rule over forty other kids, it's more than anybody can take and not get crazy.
My mom experienced racism. She was harassed by the KKK several times. And I experienced racism myself, growing up. In New Jersey, we had trash thrown on our lawn every day. And we had the lines to our Christmas lights cut three years in a row. We just stopped putting up Christmas lights after that. That's probably why I still don't put up any lights during the holidays.
It's a long haul bringing up our children to be good; you have to keep doing that — bring them up — and that means bringing things up with them: Asking, telling, sounding them out, sounding off yourself — finding, through experience, your own words, your own way of putting them together. You have to learn where you stand, and make sure your kids learn [where you stand], understand why, and soon, you hope, they'll be standing there beside you, with you.
We mustn't start off with the idea that there's only militarism, invasions, and occupations. We really have to look: What are the alternatives here?
Being a Negro in America means trying to smile when you want to cry. It means trying to hold on to physical life amid psychological death. It means the pain of watching your children grow up with clouds of inferiority in their mental skies. It means having their legs off, and then being condemned for being a cripple.
A man'll seem like a person to a woman, year in, year out. She'll put up and she'll put up. Then one day he'll do something maybe no worse than what he's been a-doing all his life. She'll look at him. And without no warning he'll look like a varmint.
I've made a point of trying not to play the same part and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year, and people have forgotten you. If you like having time off, which I do, that's a good career strategy. Or at least, it's my strategy to keep my head together.
I keep having the urge to cross my hands over my chest, to cover up my breasts, to hide. I'm suddenly aware of how pale I look in the sunshine, and how many moles I have spotting up and down my chest, and I just know he's looking at me thinking i'm wrong or deformed. But the he breathes, 'Beautiful' and when his eyes meet mine I know that he really, truly means it.
People need to stand up hold hands, talk about alternatives. Alternatives, alternatives, alternatives. And people united will never, ever be defeated.
Some of us have such incredible things that can keep us from acting. We have the luxury of drinking such good wine, and having such good information at our fingertips. I can look up anything on my computer. And I can call any friend at the drop of a hat on my cell phone. And I can have beautiful clothing and great food in a world where people are being tortured. I have some responsibility for that.
I don't have an idea for a play until after I've finished writing it. I write first, and come up with what it's about later. My technique could be compared to having a large canvas and coming in every day and putting a dot on it somewhere, and after several years - literally - I begin to say, That reminds me of an elephant, so I think I'll make it one.
There's a bigger question again about how to do prevention. It's not simply about putting out the early warning. The early warning was put out on Abyei; everybody knew that this was coming. This was intentional, and still it happened. So this idea that we fail to stop these things because there's not awareness about them, or that we need better early warning information, I'm increasingly skeptical of. I think it's about how you move that information into the policy process.
Every year, I sort of look at where I've been and where I'm headed. I'm coming up on my 25th year. Rejuvenated, I guess, is one way to look at it. I'm absolutely having a blast with what I'm doing.
[Children] use up the same part of my head as poetry does. To deal with children is a matter of terrific imaginative identification. And the children have to come first. It's no use putting off their evening meal for two months.
My writing life has included the struggle to bring up three children. What I do three or four times a year is take myself off to a hotel room to unblock a problem.
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