A Quote by Philippe Halsman
A true portrait should, today and a hundred years from today, the Testimony of how this person looked and what kind of human being he was.
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A true portrait should, today and a hundred years from today, the Testimony of how this person looked and what kind of human being he was
Today, we have a powerful military that serves as a deterrent, but the enemy we have today is not like World War II, where you sign a piece of paper and the war is over. Today they're not in uniform. In my time we knew what the enemy looked like, we knew his weapons systems and such. Today, your cab driver may be the person, you have no idea. I don't know how we got into this fix, but we're there.
Today it is not alive. What, then, is this experience of humanism? With the above survey I have tried to show you that the experience of humanism is that — as Terence expressed it — “Nothing human is alien to me”; that nothing which exists in any human being does not exist in myself. I am the criminal and I am the saint. I am the child and I am the adult. I am the man who lived a hundred thousand years ago and I am the man who, provided we don't destroy the human race, will live hundred thousand years from now.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
In olden days a glimpse of stocking was looked on as something shocking. Now, Heaven knows, anything goes. The world has gone mad today, and good's bad today, and black's white today, and day's night today.
There is nothing worse that you can do to a human being in America today than give them a mental illness kind of label and tell them they need drugs and these children are 3, 4, 5, 6, 7, 8, 9 years-old being treated in this manner.
Today must not be a souvenir of yesterday, and so the struggle is everlasting. Who am I today? What do I see today? How shall I use what I know, and how shall I avoid being victim of what I know? Life is not repetition.
There is less pressure on abandoning native communities: what for? There is nothing to be gained by it. On one hand, there are plenty tempting opportunities of experimenting with identities - being one kind of person today and a different the next day. On the other hand, there is little pressure to include the ethnic identity or religious identity into this mechanism, because now everybody is in a kind of Diaspora today.
Today the U.S. is farther from being nourished by poetry than it was a hundred years ago, when books of poems were best-sellers.
If a person feels terrible, it usually should not be shown or acknowledged during a greeting exchange. Instead, the unhappy person is expected to conceal negative feelings, putting on a polite smile to accompany the “Just fine, thank you, and how are you?” reply to the “How are you today?” The true feelings will probably go undetected, not because the smile is such a good mask but because in polite exchanges people rarely care how the other person actually feels.
If you go back a few hundred years, what we take for granted today would seem like magic - being able to talk to people over long distances, to transmit images, flying, accessing vast amounts of data like an oracle. These are all things that would have been considered magic a few hundred years ago.
[Mark] Twain is pointing at you. You, the reader of the book one hundred and thirty years ago and today. That is what has made it a great American novel and the most widely read book in American Literature around the world today.
On his face was an expression of absolute love. Melting, soul-touching, raw, unbridled love, the kind of person dies for, sacrifices and suffers for. It was the kind of love that a person would wait two hundred years to see fulfilled. It was True Love in its purest form.
An important documentary that sheds light on one of the most terrifying realities in the U.S. today—the commercial sexual exploitation of young girls. TRICKED is a comprehensive portrait of all the players in this human rights abuse: survivors, traffickers, johns and cops. Everyone should see this film.
You wouldn't take a portrait of a human being from a hundred feet away and expect to capture their spirit; you'd move in close.
If you go back back a few hundred years, what we take for granted today would seem like magic - being able to talk to people over long distances, to transmit images, flying, accessing vast amounts of data like an oracle. These are all things that would have been considered magic a few hundred years ago.
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