A Quote by Philippe Perrin

And, you run also video because to fly this arm, you're relying mostly on some external camera views that may be coming from the arm itself or from the station. — © Philippe Perrin
And, you run also video because to fly this arm, you're relying mostly on some external camera views that may be coming from the arm itself or from the station.
Well, we have two major goals. The most important one is to get the station arm on board the station, because that's this really milestone in the space station building since from now on they will be using this arm to continue building the space station.
Shortly afterwards, I did a third one to repair the robotic arm of the station. This arm plays a very important role in the ongoing expansion of the station as well as in the deployment of solar panels.
At that point, there will be the handover between the shuttle arm and the station arm so that the shuttle arm will take the cradle and put it into the cargo bay.
Yes, I see the Mobile Base System really is the shoulder of the arm. The arm is right there, like a human arm. It's really funny to look at the similarities between a human arm and the Canadian robotics arm.
In particular, this arm has 7 degrees-of-freedom that makes the overall motion of the arm very complex so that, before you start driving the arm, you should be very familiar with all the position it can get.
I have 16 metal screws in my right arm, from the elbow to the shoulder, and they are extremely painful at the beginning of a training camp and also when the temperature changes. I also had a surgery on my left arm and two on my hips. Those four surgeries were pivotal in my decision to retire.
When this space walk will be completed, then the arm will be fully operational and ready for the next activity that will be pretty much the testing, the first flight testing of the space station arm.
When it comes to physical strength, someone may have a stronger upper body than lower body, or a stronger right arm compared to the left arm. Similarly, we're likely to excel in some areas of mental strength while struggling with others.
An amoeba is a formless thing which takes many shapes. It moves by thrusting out an arm, and flowing into the arm. It multiplies by pulling itself in two, without permanently diminishing the original. So with words. A meaning may develop on the periphery of the body of meanings associated with a word, and shortly this tentacle-meaning has grown to such proportions that it dwarfs all other meanings.
If an optimist had his left arm chewed off by an alligator, he might say in a pleasant and hopeful voice, "Well this isn't too bad, I don't have a left arm anymore but at least nobody will ever ask me if I'm left-handed or right-handed," but most of us would say something more along the lines of, "Aaaaaa! My arm! My arm!"
During that space walk there will be some repositioning of the power so that the arm can be fully controlled by the robotic station that is in the Lab.
That this is the source of our fellow-feeling for the misery of others, that it is by changing places in fancy with the sufferer, that we come either to conceive or to be affected by what he feels, may be demonstrated by many obvious observations, if it should not be thought sufficiently evident of itself. When we see a stroke aimed and just ready to fall upon the leg or arm of another person, we naturally shrink and draw back our own leg or our own arm; and when it does fall, we feel it in some measure, and are hurt by it as well as the sufferer.
I only thought I'd get one arm done at first. One arm turned into the other arm. Then I started tattooing my lower arms. I remember saying, 'Mom, don't worry, I'm never going to do anything on my neck.' Then I went to my neck and my chest and my legs, and I kept on progressing from there.
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
Once I was coming down a street in Beverly Hills and I saw a Cadillac about a block long, and out of the side window was a wonderfully slinky mink, and an arm, and at the end of the arm a hand in a white suede glove wrinkled around the wrist, and in the hand was a bagel with a bite out of it.
Some people aren't touchy-feely, but I grew up in a family where you'd walk into the family room and there'd be five people on the couch with an arm here, an arm there, everyone scratching and taking turns.
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