A Quote by Philippe Petit
Fame was never something I was seeking in my artistic journey. It's to be used as a tool for an artist to break open doors and keep creating. That's how I enjoyed fame in '74; it was not just for the emptiness of being famous.
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To be an artist is not about fame; it's about art, which is this intangible thing that has got to have lots of integrity, whereas being famous doesn't really take any integrity. But I think you have to admit that you want to be famous, otherwise you can't be an artist. Art and fame together are like a desire to live forever.
I've always warned my clients about fame being very dangerous, and unfortunately, they need to be famous to make a living, but not to be flippant with it, that it could kill them, and to always keep their eye on it. There was no reason for me to do it. I don't make my money off fame, not my fame.
The time of getting fame for your name on its own is over. Artwork that is only about wanting to be famous will never make you famous. Any fame is a by-product of making something that means something. You don't go to a restaurant and order a meal because you want to have a sh*t.
Is fame without purpose and is fame without talent really where we are now? People used to be famous for what they did. Now, they're just famous.
Fame necessarily isn't really tied to success at all. Fame is just being recognized for doing what you do, whether it's good or bad. Osama bin Laden was famous.
I love celebrities, and I love the concept of fame, but it took me getting fame to realize that it doesn't exist, which was kind of a bummer. Fame is great if you're not famous, because it seems like this elusive impossible dream world. And it's not. It's a fancy word that managers and producers make up so they can keep hawking you for more money.
There's a panic, a rush, to this 'achievement' of fame. There's also the ambivalence of fame: the love of it and the hatred of it. We sometimes hate the famous while, at the same time, straining to achieve fame oneself.
There are all these tests that are done on young kids and they all say they want to be famous but I just always felt that for my generation being famous was kind of corny and cheesy. Maybe because fame isn't something that proves you're good at something.
It was never a goal of mine to become famous. So, I never projected any goals associated with that. But I did have a bunch of goals I wanted to achieve when I was financially able to do so, but they had nothing to do with fame. When I set goals, they're more tangible than becoming famous. You don't build a company or a foundation for fame.
Fame in itself is, you know... It involves a whole discussion on just that word, 'fame.' It's a power; it's another degree of power, to be famous. I think it's obvious: you have more influence the more well-known you are. And, hopefully, it's righteously used.
The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous. You know, my fantasy of being a famous writer, and again there's a slight disconnect with reality which happens a lot with me. I imagined being a famous writer would be like being like Jane Austen.
If you have fame, you never feel that you have fame, if you have the brains of a flea. Because fame is something that's over back of you. It ain't ahead.... Not ahead at all. I mean, if you've done it that's great, but "what are you going to do now?" is the only thing that matters.
Somewhere along the way, we made it unpopular to value oneself outside the structure of fame. We created these new categories, even - reality stars, YouTube stars, Instagram-famous, Twitter-famous - when we enlarged the fame game board to allow new valuations within the fame structure to accommodate as many people as possible.
I want that Sinatra type of fame. It's not the 'Whoever's the hot pop star at the moment' fame. It's the 'Walk into a room and everybody just kind of politely nods their heads' fame. Sinatra fame.
The thing about fame is, you want it your whole life, but no matter how bright you are, no one ever asks themselves why they want fame. You never really know what it is until you have it. You can never tangibly feel your own fame.
As for fame, fame felt like nothing. Fame was not a sensation like love or hunger or loneliness, welling from within and invisible to the outside eye. It was rather entirely external, coming from the minds of others. It existed in the way people looked at him or behaved towards him. In that, being famous was no different from being gay, or Jewish, or from a visible minority: you are who you are, and then people project onto you some notion they have.
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