A Quote by Philippe Petit

I was thrown out of different schools because I was practicing my arts - magic, juggling, and the high wire. — © Philippe Petit
I was thrown out of different schools because I was practicing my arts - magic, juggling, and the high wire.
In Greenville, we were blessed to have lots of youth arts programs. I changed middle schools to go to an arts middle school. Then, when high school came, I went to normal high school for a little while before auditioning for the Governor's School for Arts and Humanities.
I didn't go to school much. I was thrown out of different schools, and my university is the street.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
I got kicked out of high school, went to 3 different high schools and summer school and extra night school just so I could maybe graduate and try to make it up, because I flunked pretty much my entire freshman year, mainly because I just never showed up.
To make a film like 'The Grandmaster,' I know I'm not going to make just a standard kung-fu film; it's not going to be just tricks or like wire works. So I spent seven years on the road interviewing different schools and a lot of real grandmasters from Chinese martial arts.
Three high schools. I was funny. I thought I was being funny. I just had an opinion about everything that was said in school, so that got me thrown out.
It would be very, very dangerous for a wire walker to experience fear while he is balancing on the wire. Fear has its place on earth, before and maybe after a high-wire walk, but not during for me.
The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.
As a high wire walker, I do not allow myself to 'leave the wire' during a performance.
I walk on the wire; it's my profession, and there are no two high wire walks alike.
Historically, musicians know what it is like to be outside the norm - walking the high wire without a safety net. Our experience is not so different from those who march to the beat of different drummers.
If you're not good at juggling, then you're not juggling. I always tell people that. If you're dropping a lot of balls, then maybe you shouldn't juggle. And that's fine... there's different ways of working.
Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.
I'm on Governor Gray Davis' California Alliance Towards Education to bring the arts back to high schools.
When I was entering high school, my dad had me going around to different high schools, playing open gyms. A lot of coaches thought I was coming to their schools. If I would have done it over, I would have just stayed at one particular school just to play pickup basketball in the summertime.
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