A Quote by Philippe Petit

I'm a wire-walker, but actually, I'm a moviemaker that hasn't done his first movie. — © Philippe Petit
I'm a wire-walker, but actually, I'm a moviemaker that hasn't done his first movie.
As a high wire walker, I do not allow myself to 'leave the wire' during a performance.
It would be very, very dangerous for a wire walker to experience fear while he is balancing on the wire. Fear has its place on earth, before and maybe after a high-wire walk, but not during for me.
I am fascinated by the engineering. The science of constructing and understanding why it stands. And I am drawn by the madness, the beauty, the theatricality, the poetry and soul of the wire. And you cannot be a wire-walker without mingling those two ways of seeing life.
You ask any moviemaker what their favorite movie experience was, and they'll say it was one of the first ones, where everyone had to pitch in and do everything together, and you had to struggle.
I've done radio interviews about this movie [42]. I feel I'm a part of this movie, since I knew Jackie Robinson. I was at his first game.
I am a wire-walker. I can walk any time, anywhere - I'm indestructible.
I've always been kind of a mutt creatively. I started off in journalism, and I've actually done more police and procedural shows than I've ever done science fiction shows. I was on 'Murder She Wrote,' I was on 'Walker, Texas Ranger,' I was on 'Jake and the Fat Man.'
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
Designing is a lot like a high-wire act - if the tightrope walker is only six inches off the ground, where's the excitement?
For my first movie, I think my first cut was like three hours, because when you first direct a movie, you want to keep everything. But I'm not one of those directors who falls in love with the stuff they've done. Already when I'm doing my first cut, I'm willing to cut out everything that is necessary.
I actually heard hip-hop before I saw a movie in a movie theater. I heard hip-hop first, at the tender age of seven, so that came first. I didn't see a movie until I was eight.
My parents were intelligent and encouraging, but at the same time, they were displeased at me becoming a wandering troubadour and wire walker.
Our love has been the thread through the labyrinth, the net under the high-wire walker, the only real thing in this strange life of mine that I could ever trust.
I did not like 'The Hurt Locker.' It's a lazy way to make a movie, frankly. I could put you on the edge of your seat quite easily, and have you feel the tension for 2 hours, if every other scene practically is, 'Should we cut the red wire or the green wire?'
Do you know what a skin walker is? It's a thing in Indian mythology. There are certain people born with this gift, and they're able to actually get inside you and mess with your feelings and with your mind. And if a skin walker chooses to get a hold of you, there's not much you can do.
David O. Russell's best films are thrilling high wire acts that run the moment to moment risk of tumbling to the ground. In his latest, "Joy," Russell has more trouble than usual keeping his balance on the wire.
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