As soon as I finished 'The Finkler Question,' I was in despair. I'd changed my English publisher because they'd been lukewarm about it and not offered enough money. The American publisher didn't like it. The Canadian publisher didn't like it... I'd been bleeding readers since my first novel, and I could see my own career going down.
No publisher should ever express an opinion on the value of what he publishes. That is a matter entirely for the literary critic to decide. I can quite understand how any ordinary critic would be strongly prejudiced against a work that was accompanied by a premature and unnecessary panegyric from the publisher. A publisher is simply a useful middle-man. It is not for him to anticipate the verdict of criticism.
A successful self-publisher must fill three roles: Author, Publisher, and Entrepreneur—or APE.
If you want to publish two books a year under your own name and your publisher doesn't, maybe you need a different publisher.
You want to publish with a publisher because a publisher knows how to publish a book. And you don't. You really don't.
We had tried to get a couple books that were written about Ray Kroc, and one of the books, we called the publisher. The publisher actually said, "Call McDonald."
As difficult as it is for a writer to find a publisher-admittedly a daunting task-it is twice as difficult for a publisher to sort through the chaff, select the wheat, and profitably publish a worthy list.
I am extremely left brain dominant, probably 95%-5%. The feeling side of my brain is not really strong.
The publisher has told - you know, if these editors, Andres Martinez and Nick Goldberg, were the least bit honest about this, they would tell you the publisher has told them he wants the editorial page to be conservative.
Selling an idea to a publisher is not as valuable as selling your audience to a publisher.
You have to remember that in addition to running a literary agency, I am also an ebook publisher.
I am an apologist for the reading brain. It represents a miracle that springs from the brain's unique capacity to rearrange itself to learn something new.
Certainly, I had a wonderful push from my publisher and got very lucky. I'm very aware of what it means to have a publisher back you. But your job as a writer, no matter what else is happening, is to continue to produce work-whether you're succeeding or failing.
Everyone uses the brain at every moment, but we use it unconsciously. We let it run in the background without realizing the power we have to reshape the brain. When you begin to exercise your power, the everyday brain, which we call the baseline brain, starts to move in the direction of super brain.
While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area.
"Eight Days of Luke" was refused by another confused publisher on the grounds that children shouldn't strike matches. When my agent pointed out that David in the book was twelve years old, the publisher said that he was striking matches to summon the devil, then, and this couldn't be allowed.