A Quote by Phillip Lim
One of the reasons I wanted to collaborate with Target is because I felt that together we could create a collection that would inspire - one that is cool and chic, but still very accessible.
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I wanted to be a cool mom. It was hectic. I felt very isolated for a long time, but in the end, it was cool because it helped me and Ninja stick together. If we hadn't, we would have maybe drifted.
I wanted the collection for Target to reinterpret all the must-haves of Stella McCartney for winter and to make my designs more accessible to a wider audience in Australia.
I do have a staff of what some people would consider to be very attractive, chic women. They are not on the staff because they are attractive and chic but because they care about the welfare of others.
I would only create clothes myself if I felt I could do something really different - create a new style subculture for my generation - and that is very ambitious.
H&M approached us to collaborate, and see if we could translate the dream we created at Lanvin to a wider audience, not just a dress for less. I have said in the past that I would never do a mass-market collection, but what intrigued me was the idea of H&M going luxury rather than Lanvin going public. This has been an exceptional exercise, where two companies at opposite poles can work together because we share the same philosophy of bringing joy and beauty to men and women around the world.
If an adversary didn't target our power plants but they did target the core routers, the backbones that tie our internet connections together, entire parts of the United States could be cut off. That would have a tremendous impact on us as a society and it would have a policy backlash.
[Adolf] Hitler and Eva [Braun] jointly came to that decision, I think. Hitler wanted me there for security reasons and to keep Eva company, she wanted me there because we were both still very young. I was 20 years old, to live on my own would have been daunting. I wouldn't have done it and neither would she.
I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.
'Unbelievers' was a song that we felt like we could tackle, so that's one of the reasons we wanted to start playing it live, we really believed in that song and we still believe in that song a lot.
There was a hidden narrative I felt we could get into, It's about an accessible world. Family and relationships are accessible subjects.
You get the right collection of people together and you get the atmosphere together that it is very free where there is no judgment. If you create an atmosphere that is very open you steer the ship.
I wanted to create things that you can always pull out of your closet and rely on. I wanted to create a timeless, classic collection of clothing that you can keep expanding on.
Orlando's a really cool guy. They hired him for 'Lord of the Rings' out of drama school. He's very new at this still and doesn't have a lot of experience. So we were in this together and we've tried to help each other out. We felt very equal which was good.
Perhaps he could still weave together the broken threads of his life. And yet, I wanted him here now. I needed him here. In the darkness, if I sat very still, I could almost feel his presence by me, quite near, but not too near. Didn't I promise to keep you safe, he would say softly. I have never broken a promise. Don't look so worried, Jenny. And yet, he would be careful. Careful not to move too close. Careful not to frighten me. Waiting still. I am your shelter. Don't be afraid.
A lot of people want to collaborate with people because of their level and status, but really I want to create with Beyonce just because of her skill and because of the history we have together.
The Constitution wanted artists to have control over their works because they knew it would create incentive to create more works. That is clearly still the goal.
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