A Quote by Phillip Lopate

Confession makes you a more trustworthy narrator. — © Phillip Lopate
Confession makes you a more trustworthy narrator.
Confession heals, confession justifies, confession grants pardon of sin, all hope consists in confession; in confession there is a chance for mercy.
I think every narrator is an unreliable narrator. In its classic definition - an unreliable narrator is one who reveals something they don't know themselves to be revealing. We all do that.
If someone tells you that George Bush is not the 43rd president of the United States, they might be engaged in wishful thinking, or denial, but if they make that claim, it's either true or false! And you can assess that, regardless of whether there's an omniscient narrator, or an unreliable narrator, or it's shot in vérité, or it's manipulated, it's agitprop, whatever! It makes no difference! It's a style!
Look out sinners because if you do not go to confession, confession will come to you. The Catholic Church in northern England has launched a mobile confession unit called the Mercy Bus.
When someone walks in and you say "a six-foot-tall man," you miss the opportunity to describe what a six-foot-tall man would look like to your narrator, because how the narrator describes a six-foot-tall man says more about the narrator than about the man.
I think Jughead is a pretty trustworthy character - not only a narrator. I think he might be selfish, but he's obviously selfish, and that is comforting to me. I also think he has a really strong moral fiber and a propensity for good, and he tries to cultivate that in other people.
Every day my conscience makes confession relying on the hope of Your mercy as more to be trusted than its own innocence.
Competition leads both drug companies and private regulators to be trustworthy. If they are not trustworthy, they die.
The best way to learn how to become trustworthy is to study other trustworthy people.
Your faithfulness makes you trustworthy to God.
A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write.
When the reader and one narrator know something the other narrator does not, the opportunities for suspense and plot development and the shifting of reader sympathies get really interesting.
The thing I love about Dickens is the omniscient, omnipotent narrator, and the great confidence of the narrator, which marks 19th-century novelists in general and Dickens in particular.
Faith never makes a confession.
Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator's memories and thoughts.
Confession of errors is like a broom which sweeps away the dirt and leaves the surface brighter and clearer. I feel stronger for confession.
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